Destroy the Scene, Dub Trio, El Rio, Light Will Remain, The Atomic Bomb Audition

New review of "Light Will Remain"

Read it below or visit speed, glue and music to check it out all pretty-like there.

“My co-writer here at Speed, Glue and Music tells me that there are people in San Francisco that actually read this blog!! Is this true? Feel free to leave some comments or share your blogs with us! Anyway since San Francisco is showing us some love, I thought I would review a SF an Oakland band that as far as I know hasn’t really received much exposure yet (I could surf the internet to verify whether or not this is true, but I’m lazy). This is a band that Mr. Destroy the Scene and I randomly saw 3-4 years ago, by accident. We had left our luxurious apartment at the intersection of Mission and Precita and ducked into El Rio for a few drinks, and this band was playing. And we were blown away! Never before had I accidentally ended up watching a band I liked so much. And then… I didn’t hear anything about them for years. Not, in fact, until I was board-operating an interview with Dub Trio at KUSF, and they mentioned that Atomic Bomb Audition were opening for them at the Hemlock. Did I know anything about this band, they inquired? Yeah! I said, suddenly remembering the band I unintentionally saw years back. What do they sound like, the dude from Dub Trio asked. “They sound like umm…. really heavy…. you know but also, like…. textured…. sort of shoegazey but also….. heavy” I said, and the dude from Dub Trio nodded solemnly, secretly amazed and envious at the breadth of my knowledge of music and the more technical terms pertaining to it. Anyway, I wasn’t able to go to that show, and then next I heard of them is when I came across this album, Light Will Remain. Apparently this is their second album, and I’m curious to hear what their first album sounds like, because by this release they already have a very full and well-developed sound. Much like contemporary Deftones (yeah I said Deftones), Atomic Bomb Audition incorporate a lot of 90’s indie, shoegaze and emo into their sound, but much, much louder and heavier. Except the Deftones ended up in their heavy-shoegaze incarnation coming from nu-metal, whereas this band seems much more natural in their melodic sensibilities. They also incorporate a lot of post-rock and prog into their sound, and the result is long, complex songs that alternate between lush melodies and heavy riffing (I just barfed a little as I wrote “lush melodies”). At various times, this band reminds me of Built to Spill, Dinosaur Jr (in particular the vocal melodies at the end of “Copernicus: Perigee”), Mogwai, Isis, Amesoeurs, The Angelic Process (who RULE and I will definitely write about soon) and Explosions in the Sky. Yet at no point do they sound derivative of any of those acts- they have a really interesting and unique sound, and I’m eager to see what they do next.”

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