Alee Karim

Writer/Editor/Composer

STAR WARS: BEFORE THE FALL, Pt. 2 — “He’s No Good to Me Dead”

On the bridge of an Imperial Star Destroyer halfway between Bespin and Tatooine, two men argue over money.

“Due to the circumstances of Captain Solo’s capture, the Empire must deduct a small portion of your pay.”

“That is not what I consider small.”

“It’s more than reasonable for the loss of five of my best men.”

He rests his palm on his blaster. “I don’t pay for the Empire’s losses, Lord Vader.”

“Today, I’m afraid, you do.”

Only Darth Vader has the nerve to short Bobba Fett by 100,000 credits. Only Bobba Fett has the nerve to threaten Vader’s life over it. Vader has more than a little respect for the bounty hunter and offers something of a justification for ripping him off.

“Your arrival at Bespin was ostentatious and sloppy in the extreme. I expected a subtler approach from the great Bobba Fett. There’s reason to believe that city guardians were preparing their counter strike before we revealed our presence.”

“That’s preposterous.”

“Make of it what you will. You’re earning much more than any of your peers charge. Frankly, I think you were overpriced.”

That does it. Bobba Fett draws his blaster and shoots off several rounds having switched to automatic rapid-fire without Vader noticing. Vader deflects each shot with his arm, leaving minor scars on his armor. Vader attempts to draw the blaster towards him but Bobba Fett ups the ante tremendously by engaging his jetpack and shooting himself out of the window overhead.

The bridge’s two helmsmen are sucked out into the vacuum of space immediately. Using every ounce of concentration he possesses, Vader keeps his footing and peers out of the gash in the window towards a seemingly patient Bobba Fett. Having deployed two magnetic grapplers on his palm, Bobba Fett hugs the hull on all fours like a stalking animal ready to pounce. It’s not the best vantage point but he can see Vader pushing his apprehension of the Force to its limit, attempting to maintain his position. Surprisingly, he kneels onto the floor as the blast gates of the ship begin to close above him. Effortlessly, with one upraised hand, Lord Vader locks them in place before they shut, a stream of precious oxygen and useless particulate continuing to gust out of the bridge.

Spellbound, Bobba Fett watches from his perch, his heart beating in his throat. For a fleeting moment, the thought crosses his mind that challenging Darth Vader may have been a foolish idea. He squashes this notion instantly and reloads. He has about five minutes of oxygen left in this suit and he gathers Vader may have a little more if he doesn’t exhaust himself by resisting vacuum, that is.

Too late Bobba Fett realizes that passively waiting for his seemingly incapacitated foe is improper. In one fluid motion, Vader casts his head down and lets his body fly out through the gash, tearing it open wider and knocking Bobba Fett back from his spy’s perch. The bounty hunter quickly regains his bearings, catching the edge of the next higher tier along the hull. He scans in every direction for Vader, finding him nowhere. He gazes up at the starry firmament. The astonishing notion that he may have just defeated The Dark Lord of the Sith makes him chuckle. Not so overpriced now, he thinks.

At first, he assumes that his oxygen supply is low. He can hardly catch his breath. A glance at his meter reveals a full three minutes remaining. The thought that that can’t make any sense is abruptly interrupted by an intense constriction about his throat. His airways shut and he presses his helmet against the side of the hull. He doesn’t believe in The Force, he never did; but if it does exist, he thinks, he’d like to formally beg it for mercy right now.

That thought barely escapes his mind when he sees a familiar black boot step before his visor. He looks up and Lord Vader, standing with clenched fist, brushes him away with one hand hurtling back through the open blast gates. Bobba Fett’s jetpack hits the bridge floor with such force it rattles his teeth. The blast gates immediately seal shut and oxygen and gravity return to the bridge floor. Bobba Fett, still supine on the deck, looks about him at the dark abandoned bridge, a single red alert siren bleating and flashing to illuminate the darkness. Out of the corner of his eye, he sees the regal gentleman warrior of the Empire approach, walking slowly as if there is no hurry, and indeed, there is not; not when you’re accustomed to thinking several steps ahead of your opponent, calculating outcomes and possibilities, measuring energies and intentions, all with the inevitability of victory in mind. Nothing happens to Vader, the bounty hunter thinks, that he doesn’t expressly wish to happen.

There is never a moment when he is not in control.

Bobba Fett’s jetpack is now empty of fuel. He lost his blaster during one of the upheavals on the ship’s exterior, and he now has barely two minutes of oxygen remaining. There is no upper hand to be had right now and he waits for Lord Vader to approach him, seemingly slower than before, and issue a judgment. The Lord of the Sith glances around him at the carnage and damage left by this stunt and throws the promised amount, minus 100,000 credits as he’d insisted, by the bounty hunter’s feet.

“I did not deduct any more from your compensation. You’ve pointed out to me the folly in having any kind of override for our blast gates. Consider your survival and my agreement to the previous terms as a form of grace.”

Vader turns his back on Bobba Fett who wouldn’t dare retaliate at this point.

“I trust you have faith in the power of the force now.” Vader exits the bridge and this is the last interaction between these two men, arguing over money.

The Mountain

Every artist is in the process of ascending a mountain. At the peak is their vision. The peak keeps getting higher and higher but that’s ok because the more you climb, the closer you get to it and the better your art gets. The only way up the mountain is through work. Making art: that’s the only way.

Along the way up, there are demerits and credits that are the world’s reactions to your work. The former are your failures which give the sense you’re sliding down the mountain, reverting your progress. The latter are your successes, which give you the sense that you’re climbing it faster. In reality, neither is true, and the result of negotiating either only affects the work in the slightest, most superficial manner.

The real work happens independently from all this and it arises from ideas. Ideas are not the same as thoughts. Thoughts have no meaning in and of themselves. They are fickle. They come and go. They make us happy or sad or whatever. But they don’t plant roots.

Ideas are pure consciousness. They are the powerful ether that we cannot hold but merely excavate and witness; ideas don’t belong to us, and we feel that. Only when you carve with this pure ideational manna are you doing the work, and continuing your climb. Nothing else matters.

On Malinky Robot and Books for Kids

I couldn’t get my hands on the lovely care package Sonny Liew sent me–which included a CD, playing cards in a cigarette pack, and a few other pieces of ephemera besides his first collection of Malinky Robot stories–not right away at least because my nine-year-old stepson intercepted it as soon as it arrived in the mail and wouldn’t part ways with it for a full week.

That right there might be all the review this collection needs. Comics have this weird a-demographic appeal where the mainest of mainstream titles are essentially designed to be read by anyone from ages 8-100. That is, they’re for everyone and no one. And yet these titles aren’t really grabbing young readers as easily as they once did, partly because of the death of the “spinner rack” which brought monthly comics to places like 7-11, Rite-Aid, and other places a kid could randomly stumble upon a comic outside of the directed mission of entering a comic book shop. Everyone, especially DC and Marvel, wants to bring these kids back to comics and everyone is relatively unsure how to do that. Is there some existing franchise that they love? Is there an art style that they respond to? The answer, at once simple and elusive: don’t try to write for kids.

As you may or may not know, kids have excellent bullshit detectors. They can tell when you’re dragging them somewhere YOU don’t even want to be. They can tell when you explain something but you don’t know what you’re talking about. They might not have the wherewithal to call you on it, but it smells funny (is this perhaps the “Stinky Fish” in chapter 1 of Malinky Robot?) And they can tell when someone is trying to speak in their tongue…and faking it. Again, they may not call you on it, but nor will they be enthusiastic.

That’s what makes those pre-code Disney/Warner cartoons so great and so enduring. When you strip away their fantastic premises, they’re just real: grim and emotional and messy. They don’t impart morals or pave worldviews. There’s characters contending with futility, schizophrenia, and, um, murder. There’s also smoking, innuendo, and other things that are going right over kids’ heads. And it works, because it’s always, always funny.

Functioning on this logic, Malinky Robot is at once aimless and perfected in its aimlessness. It follows a pair of boys, Oliver and Atari, in their subjectively thrilling adventures against boredom in a near-future Asian fishing town. First of all, hats of to Mr. Liew for giving his readers enough credit to suss out the sci-fi subtext without explicitly announcing the year, the place, or anything else that he clearly explains with the visuals. Because beneath the perennial theme of kids trying to entertain themselves, there’s a perfectly subtle pronouncement of the kind of semi-dystopian world we’re entering via our planet’s slow slide into eco-oblivion. It’s in the tones and dreariness with which he renders this decrepit yet utterly modern village. It’s even in the clothes that Atari and Oliver wear, and perhaps in their mutant hybrid species phenotypes as well. And so plots are centered around stinky fish and lost bicycles, around encounters with the people of this town like Mr. Bon Bon, an unhappy suit type who gets his own poignant chapter partway through the collection, and a robot, that… well… I don’t want to spoil that part.

All of this is to say that I get why my nine-year-old dug it. It’s because Malinky Robot rings true to his perspective without once condescending to it. It delineates a world like the one he shares with his friends where a new swear word can yield a whole day of laughs, where a smell can lead you on an all-consuming hunt for its source, and where the entire city that surrounds you is as inspiring and magnificent as it is mundane, stifling, and totally boring. Malinky Robot is a good book, maybe even a great book, because at long last, it’s a true book.

Junky Cosmonaut

My name is Ethan Kestler. About thirty minutes from now, I will forcibly eject myself from this spacecraft, with only my in-suit life support system to sustain me (a generous estimate for a healthy man in his mid-thirties: approximately fours and thirty minutes, less than half of which will be tolerable). To clarify, this is not suicide; there’s despair in suicide and although I do have despair, it’s not what motivates me to do this. There exists somewhere, on some plane, a scientist who uses me as the reactive element in his experiment. I must eject myself from this experiment for while its machinations are, fascinating—indeed, the very source of my fascination since I was very young—its fruits are the most significant horror of my adult life.

#

My wife’s name is Alana. We used to live together at 213 Empyrean Drive. I’m trying my best to entertain enough enthusiasm about the idea of my “legacy” to commit this all to audio because there is quite a bit of money attached to me and I would be an awful man if I didn’t leave it all to her, as much as she’d had to suffer as my wife. Suffer may sound too dramatic for what she went through and in some respects, it is; in others, it’s barely adequate. Most people speak to the dissolution of their partnerships as a slow process with no specific epicenter but in our case there was a very specific moment that triggered it, the day we lost our baby.

We lost the baby on a Friday. I say “lost” instead of “miscarried” because “miscarried” always struck me as one of those soft, pitiful euphemisms like “passed away” that you use because “died” sounds too harsh. In the case of a fetus, though, “died” isn’t even accurate. They’re only alive, to an extent, in as far as they’re being prepared to be independent and cogent beings. It’s the ideation of them that dies the harder death, our hypothetical conception of what they will grow to be. In that way, a fetus is half an idea and half a real thing, just like a ball in an athlete’s hands is half a goal and half the intention of a goal, and that line between ideating and the fear of failure is what cuts the hardest; you have to be on the other side of the line to succeed. The difference is, as a parent you don’t do much to entertain the notion that you’ll fail to bring the baby to term. Athletes are more realistic; they’re negotiating that fear of death at every turn.

I dreamt I met her, not as a baby but as a grown woman, someone resembling my Aunt Zelda but with Alana’s red hair; I didn’t know why but in the logic of the dream it was definitely her. That, to me, is the last I saw of her, and presumably the first anyone saw of her.

At about 11:30pm, Alana crept through the hallway on the way back from the bathroom, so as not to wake me. I shot upright in bed at what sounded like a large animal tumbling down our hallway followed by a flash of light through the seams of the closed bedroom door, like the hallway light had been turned on and off. Then I heard it: a high-pitched, “Oooo.” Next came another one, longer and higher like an owl until it finally broke:

OooooUNNGH!

The floorboards creaked, followed by a series of long low moans. Something inside me knew it was over and I didn’t stand for a full minute. If I didn’t see it, the possibility that nothing bad had happened existed just a hair’s breadth longer.

I referred to the feeling of losing the baby as The Crusher. Whenever positivity and natural goodwill attempted to resurface, The Crusher came along to sit upon and crush that uptick. I began to actively avoid food or music that I liked, certain that I would create a bad association with it and never enjoy it again. The Crusher was impossible to quantify, meaning you never knew quite how bad you were going to feel. It pulled from this bottomless well of black tar loathing that I never knew I had and whose depths where apparently vaster upon each visit. Over the course of those next few weeks, I realized that I was stuck inside that well in my mind. It’s hard to describe being psychically trapped but there I was, in the middle of conversations, in the middle of making dinner, in the middle of driving south on The 101, having a very specific idea of being stuck in this well to the point where I was entertaining escape routes, of which, I’d ascertained, there were none. Beyond that, I was sliding down deeper into morbidity, drowning in unbidden visions that were beyond what my imagination could generate on its own. At a certain point, the well was not a metaphor; I could see it in my mind’s eye, consistent in structure and dimension. The side was too sheer to climb, digging laterally was not possible as I had no tools, and lastly screaming out for help was not an option because this was not really happening and I’d risk getting committed if I tried to convince people I was stuck in a well.

Despite all this, It’s worth mentioning that I didn’t start using because of her.

#

I’ve only ever had two jobs: one as a marketing executive for a company that sold online ads for business courses (we sold the ads, not the courses) and then as founder of the Second-Wave Cosmonaut Initiative, effectively privatizing NASA and thus, all space travel.

I still remember where I was the day of the first clean launch, the way people remembered where they were on September 11th or the assassination of JFK, although I’ve never met anyone who ascribes that kind of significance to the first clean launch. I was in a bar in Reseda. I had just gotten off of work in Santa Monica but Alana was at her Mom’s in Moorpark so rather than hurry back I decided to go to the bar. I was already at my front door when I realized I didn’t have to be home. Going to a bar is not something I ever do but I don’t have friends in the Valley and I don’t keep liquor in the house so I looked online for the closest bar and The Red Baron was it. The server was visibly annoyed when I took his attention away from the two other patrons of the bar and grew more so when I didn’t know what to order. The bar just happened to be showing the launch on the TV behind him.

It was instantly weird: no explosive gas or big billowing clouds of smoke or anything close to what a space shuttle taking off looked like; just these vapors coming out of a shuttle whose design can only be described as a warped parallelogram. The mutterings about the technological innovations of the clean launch had escaped the majority of the public’s attention, including mine. This was purportedly NASA’s elaborate death rattle. Yet watching this, it looked like a victory lap in spite of its economic realities; I was transfixed and just wanted the bartender to place any drink in front of me that would end our interaction so I could focus on what I was seeing.

“Just give me whatever, please… a beer.”

“Whatever” beer was a bottle of Budweiser (apt, really). I touched the bottle and absent-mindedly left a few dollars (I didn’t look at how much nor did I bother to check for change). They were video tracking the thing all the way to the moon apparently, a flight that would take an unheard-of twenty minutes. It was the takeoff I was most interested in, the way it resisted Earth’s pull and looked so alien as it cleaved the blue of the sky, fashioning ever-lighter shades in its absence. The air around the craft turned an impossibly bright white—apparently scorching hot, hot enough to evaporate animal meat in seconds—without fuel emissions of any kind. It turned blue then red, pink, and orange like the horizon during a coastal sunset. And suddenly it was out of the blue and into the black.

That’s when I finally let myself take a breath, raise the bottle and down my first sip of the beer, which irrigated and nourished my now extremely dry throat. The bartender began speaking to me and I just mechanically nodded, transfixed as the ship cruised through space, abruptly shifting its orientation here and there until down and up became thoroughly meaningless, while the moon appeared to be drawing nearer to it smoothly as if along a string.

Before losing the baby, before junk, this was the start of the interesting part of my life. It was the first time in my adult life that I didn’t feel numb; or rather, everything seemed like numbness before this moment. I felt everything inside my body lightening, like turning thirty never happened, and I suddenly had the enthusiasm I had when I was eleven years old, reading the first book I remember as my favorite, The Inverted Parallax. Reading that was the first time I felt my imagination prodded.

The story concerned a future Earth where we discover that a fast-moving cluster on the edge of the Milky Way will “graze” our star system within a year’s time, obliterating every known planet and moon in our solar system with an influx of super-dense matter from stars 14 times the size of our Sun. The only way to prevent it is to send ships equipped with high-output gravity generators towards a set of supermassive stars, slowly attracting them towards our galaxy to create a defensive perimeter along the edge of The Milky Way thus forcing the cluster off-course and leaving our system safe. This is, however, a suicide mission; the pressure from the incoming rush of super-dense stellar material will crush the pilots’ ships. They agree wholeheartedly and after several tearful goodbyes, they set forth.

Their mission is successful but instead of dying they pass through the calm eye of the stellar vortex, sling-shotting them towards another system in time-space, one that is completely habitable and reminiscent of Earth but with less of a reliance on either technology or spirituality and more of a keen bodily awareness of scientific principles. The planet Thrakkat, whose people somehow never divided themselves from the natural world, eagerly accepted the mission’s pilots as one of their own. They live out the majority of their adult lives there, befriending the scientifically adept community of chemists, biologists, and astronomers, while taking partners and starting families in this utopian society. Eventually, they come to discover that they’d been sent a millennium into the past and that the system in which they’d grown to be old men was in the heart of the cluster they were sent to divert. The twist: their implementation of the massive gravity generators on this cluster initiated its long diversion towards Earth, the precise event that they’d been sent to prevent. It was the first time I thought that people gloss over the interesting parts of life, hurrying instead to the underwhelming inevitable.

#

It was years before NASA invited me to take my first shuttle trip that I started formulating the Second-Wave Cosmonauts Initiative (SWCI was an internal acronym; we never promoted it that way. I used it at a conference once and it stuck; people just liked it). Originally, this was to be my plan to enter the space industry, which is, of course, not an industry in that there are no attendant economic streams to space travel. But that was the whole point, I thought; I’ll create them: advertising, merchandising, investment opportunities. Why didn’t anyone think of this before? The answer is that our philosophy behind what space travel means to us began to atrophy despite the advent of the clean engine, which ought to have been a shot in the arm. The real shot in the arm, though, is never innovative products, it’s always innovative perspectives.

That philosophy had to evolve into something profoundly firm before we could carve competitive revenue streams. That philosophy etched itself onto my brain the night I watched the clean launch—space travel represents the greatest evolutionary step of the human race: exiting its environment and surviving. With no plans to terra-form or otherwise populate nearby planets and no feasible way to reach more remote habitable planets in a pilot’s lifetime, some argued that exploration qua exploration was becoming nigh on masturbatory. My gambit was that, inherently, there was a point. The point was only to keep going to space. Everything unfolds from this persistence; we become citizens of space, acquainted with it until the the next horizon presents itself.

Initially, NASA went into the red, scheduling seventeen manned missions that first year. That’s what I told them to do, without any additional influx of government money, and to the detriment of most of their successful unmanned missions, many of which were prematurely grounded or otherwise shelved. We sent more people into orbit in one year than we had in a decade, with no specific mission objectives; just to go. I distinctly remember the long spreadsheet of 4-6 digit numbers that represented the emptied savings accounts of every willing participant in Mission Control at the time. My heart sank when I realized each of these numbers represented someone’s future, potentially burned. And yet the thought of returning their money felt like a bigger failure than the attempt—at last, I was convinced of my own strategy.

The plan was to have a professional quality live stream for free viewing that we would monetize with ads; at once, simple, dumb, and ultimately effective. I didn’t know if people were going to be interested and at first the numbers were disappointing. We had until Mission 4 to break even; after Mission 3, we were about $2 million in the hole.

To my relief, Mission 4 turned everything around and then some. I was about to plead for an extension as I couldn’t imagine us breaking even, let alone soaring into the black just one mission later. It had been my hope that the live stream of the shuttle launches would grow to become a nail-biting thrill. Apparently, they were; the first few were uninterrupted with some banner ads. By Mission 4, we saw a huge spike in viewers. Then we got really lucky when the shuttle had trouble taking off. It sounds awful in retrospect but the fact that the launch looked doomed for a moment is what made us our fortune. With Mission 4’s live stream, we were trying a more aggressive advertising technique where you would get commercials during the stream but if you paid a flat fee, you could watch it uninterrupted. People were dying for up-to-the-minute progress updates so not only were almost all of our regular viewers paying in, they were calling their friends and family to check it out and they were telling them to pay as though there were no other option. And we were the only game in town: it just wasn’t popular enough for anyone to carry the stream so we had a complete monopoly on reporting this incident.

It may seem objectionable and exploitative to discuss this near-disaster as a money-making venture, but the fact is that the money and interest of the general public kept the space program afloat when it was in danger of becoming irrelevant, setting the stage for a new renaissance.

That’s when an Egyptian venture capitalist by the name of Basim Haqqi began conducting his own research. His marketing team found that in addition to playing really well with the college crowd and the 20-somethings (we knew that), teens aged 12-18—a demographic that actually buys things—were tuning in to these launches. They were over half of the 52 million hits we got on our biggest view for Mission 8. And over half of those were girls, or rather, women (well, girls) aged 14-18. One obvious reason was Calvin Forester, the 6’5” dashing black physicist in Mission 8’s crew. But we were getting 30-40 million hits on other Missions without runway-ready lookers like Forester. Actually we hit 45 million with Mission 6 with a very Plain Jane high school biology teacher on board, a white Jewish woman from Toronto named Naomi Marks. Hers and Forester’s missions were our highest rated and once again, tested highest with teen girls, aged 14-18. From this data, I formulated the same conclusion as Mr. Haqqi: outsiders on space missions are marketing gold.

You have to understand that I am not nor ever been about making money for money’s sake. Well, Mr. Haqqi is, and I definitely realized that no matter how excellent my concepts were, money was his ultimate concern in this endeavor. But the acquisition of marketing dollars through targeted ads and merchandising were only the means to execute my two-fold plan: (1) to create an economically competitive space industry—in the same way that professional athletics is an economically competitive industry—to the point where it influences social structures and possesses sufficient swagger to act on its whims, and, in doing so, (2) to get myself into space. I probably could have found easier ways to generate revenue but after witnessing a clean launch, the thought of going to space was so thrilling, it consumed me and I wanted to share that sensation like a missionary.

The discovery that outsiders rated higher than trained astronauts (we still referred to them as astronauts at this point) was the game changer for both aspects of that plan. I’d just assumed that they’d let me fly at some point, either as a courtesy or at least out of a sense of obligation if it came down to my prodding them for it. That it was now imperative to include “non-trained” (we do not say “untrained”) astronauts in launches (imperative, at least, in the economic sense) was amazingly more than a wish fulfilled; it led to a profound aesthetic sea change in the space administration, one that favored a new kind of space traveler, who was cosmopolitan, creative but not necessarily scientific, and totally apolitical as the nationalistic “space race” was completely irrelevant by this point. As a means of distinguishing this second-wave of space traveler, I suggested we resurrect the outdated Soviet appellation, cosmonaut, to maintain a respectful distinction for professional astronauts, and (although I never admitted this to anyone in Mission Control before now) because it was the aesthetically superior term.

I should confess it was at this time that I first tried junk. It sounds strange even to me that after years raised in social circles amongst lefties, artists, and iconoclasts, I didn’t so much as stumble upon heroin until I began spending all of my time amongst programmers and investors.

It was an accident. I was pitching Mr. Haqqi on a new line of space travel-themed foods while on a jet from London to LA. Mr. Haqqi was distracted and apparently not interested in my pitch, his focus steering towards his 30-year-old bottle of Balvenie and the 22-year-old body of his companion on our trip, his wife’s jet-haired yoga instructor, Alexandra (“Zandra is okay, but never Sandy,” she’d explained to me, unprompted, both times I’d met her). It was embarrassing to be the obvious impediment to two people who want to fuck so I gulped down my frustration and pretended that my pitch was over. I pretended to excuse myself to the restroom, where I forced myself to piss a few drops from my mostly empty bladder. On my way out of the restroom, I heard their moaning at the end of the corridor and even smelled the scent of pussy in the air. Perhaps it was the altitude but I was amazed at how quickly I resolved to enjoy myself, however slightly, by finding some uninhabited portion of this rather large private vessel; My tablet sat in my jacket pocket and I was more than grateful for downtime to revise, or research, or—should those prove fruitless—simply browse porn. Expecting every room to be empty and equally intriguing, I poked my head into the first door on my right that fortunately led, as I’d ideally hoped, to Mr. Haqqi’s study. The soft amber glow of Mr. Haqqi’s illuminated teak cabinets housing a variety of scotch to make Joyce blush was already proving to be more than an adequate refuge. At the very least, he owed me a shot of whatever scotch sat on the highest shelf and the cavalier-ness of putting my feet up on his desk as I read.

It was upon casually inspecting the left-hand drawer for a pen that I noticed the bag of white powder. It didn’t look, smell, or taste like cocaine. Oh shit, I remembered thinking, this is fucking junk! In a small black leather case was a completely clean and unused kit, that looked so elegant and refined with its compartments tailored to the tie, needle, and spoon, it was as if Marks & Spencer’s had it custom made for him (not impossible, actually). I couldn’t stop giggling to myself for maybe a full minute at the sheer absurdity that I was on a private jet, drinking from a bottle of scotch whose value is roughly the list price of a heart transplant, and a bag of (probably) obscenely good heroin. It’s strange to me that the decision to shoot wasn’t really that significant. At the time, I just assumed I had all the time in the world to do something incredibly stupid. The moment I felt the not-at-all-unpleasant pinch of the needle against my bulged vein, an unfathomable wisdom shaded everything in my cosmos and then I knew I’d been right.

It unfolded in stages, each one seeming like the ultimate. The shot initiated a warm rumbling that began in my feet and extended to every part of my underside. This rumbling was the fundamental that kept building, feeling ever warmer until I had the sense that I was rising up out of my chair. I closed my eyes and went with it—the sensation felt even stronger. Gradually, the rumbling peaked and subsided beneath my arms. At once, I felt lighter, like I was floating upwards, gaining speed exponentially. The rumbling turned inward. First my arms and feet, then my back each burst into a tingling sensation as the rumble dissipated from each location. Once the final and strongest rumble dissolved against my tailbone, I felt untethered, propelling through a rush of celestial concentrate, like entering the core of a star. I wanted to sit there forever but even just a glance at the cocoon of light was an eternity inside this sentient rush. If some part of me felt that this could go on forever, another part of me knew that there was indeed a destination and as soon as I’d formulated the thought, I was there: a cavernous sigh rippled through the fabric of space and sucked me in to a silence where I might sleep for lifetimes or longer if I could only conceive of such a thing. The moment I embraced it, I began a descent through the spheres back to the plush leather chair inside a jet hovering a few thousand feet above Earth’s surface.

Long before I’d returned, a plan began to seed itself in my consciousness, a plan to return here one day. It was set in motion and I’d never have to consciously take it part in its unfolding. If I’d had to be conscious of it, I don’t think I could have ever gone through with it. I pocketed one more dose to take me there when the time came.

#

By the time Alexandra and Mr. Haqqi found me—alone and on my knees, my focus shifting from the stars in the night sky to the amber desk lamp reflecting off the window—it had been six hours since I’d shot up. Initially, I hadn’t noticed the door open but I heard a loud celebratory hoot and turned around to see Alexandra holding a magnum of champagne, dancing in her white lace bra and panties, while some modernistic electronic Bollywood-esque music blared behind her. Mr. Haqqi was in his boxer briefs and dancing as well, snapping his fingers in the air as he gyrated his hips back and forth against Alexandra, shimmying and blowing kisses in the air. Both of them are perfected human specimens with olive complexions and lean, slightly muscular bodies. Mr. Haqqi looked about ten years younger than 42, with a decent set of abs and pectoral muscles. Alexandra was slim but not a waif, with sensual lips and a tight round ass that jiggled just the slightest bit each time she planted her heels in the carpet. Despite myself, and the judgment I’d cast upon them, earlier, I smiled. Objectively, they looked very, very happy in that moment.

With slow, impossibly patient movements, I made my way back to the leather armchair I had wanted to wheel towards the window to keep apace of the gestures of the sky. Before I could return, Alexandra plopped in my lap, deftly leaning the seat back and kicking her legs up.

“E-than,” She spoke with a sultry voice that had a little smokiness to it, looking into my eyes with a playful, uncommitted sexuality. “You need to come out and play with us. Don’t be alone so long, it’s sad.”

I chuckled. “It’s okay, uh… Zandy?

“ZANNNDRA!” She yelled, far too loudly in my ear. There was no offense taken apparently, as she then planted wet kisses on both my cheeks then poured champagne down my throat (I resisted slightly but really, come on…). Mr. Haqqi clapped and sat down on the desk next to us. When Alexandra caught sight of him, she leapt in a short elegant bound off of my lap, landing with both feet on the ground. She pushed Mr. Haqqi across the desk and leaned over him at an impressive 80˚ angle while standing straight upon impossibly long tanned legs atop six-inch heels, looking positively Amazonian like a Brazilian Wonder Woman.

“You!” She stabbed her finger into his chest. “Meet me in five minutes.”

“Bay-beh, I have to talk with Ethan—”

Alexandra clicked her tongue. Mr. Haqqi was smiling and feigning innocence. She flashed five fingers then marched out like a petulant yet smug child that knew it was going to get its way, flashing a peace sign over her shoulder at us.

“Hoo! Fun girl, no?” Mr. Haqqi clapped his hands together so hard, I was startled out of my chair.

“Yeah, um… definitely.”

“You’re a good guy, Ethan. You’re honest and loyal and that’s rare.” he gestured in the general direction of Zandra, who was surely impatient by now, “In this life, we get one or the other, even with the people we care about most. If we get both, we’re blessed. Honestly, the only thing that really bothers me about you—and don’t take this personally…” Mr. Haqqi perused the shelf and poured himself a drink of the medium shelf scotch. He took a deep sip and made a pleasant grimace, smiling through gritted teeth as I desperately awaited his conclusion to that sentence. I was surprisingly relaxed and objectively asked myself why my blood wasn’t boiling; I had no answer. It was liberating to realize that I didn’t care what he thought. “…But you’re such a fuckin’ schoolboy.”

That was all. We both laughed. I didn’t want to bring up what I had done but he took another pull from his drink and his tone dropped to something altogether more funereal.

“You look fucked up, man.”

“I’m sorry?” I wanted to care.

“I said, you look fucked up, Ethan. Your eyes; I can see it in your eyes.”

There was no point in lying though I chuckled as the thought crossed my mind.

“It’s because I am. Fucked up, I mean.”

Mr. Haqqi cracked up when I said this. He covered his mouth, laughing while his eyes bugged out. This should tell you how good of a guy I am that he was this surprised to see me high.

“Wow, man. You are full of surprises! And what would Missus Ethan say about this?”

“Nothing.” I answered him confidently, simply, and—somehow—ambiguously. I liked that.

“I don’t believe that.”

To that, I just smiled. He didn’t expect this sort of thing from me, I know, but right now it appears that he’s so surprised that he’s questioning other things that he’d taken for granted. Like maybe when he cheats, his wife is also not being faithful and doting at home. Like maybe Zandra doesn’t worship his dick or even his money and just needs to be near him so she can be near other things, people she couldn’t meet otherwise, places she couldn’t find alone. Yes, this was weird for him and for me too but I had about five months left until I was going to be a dad and I had a couple of feelings left to feel for the sake of being well-rounded. I’d be lying if I didn’t admit I was enjoying his confusion at my moral complexity, but I don’t have it in me to delude others for longer than a few minutes. I poured another drink, again from the top shelf, and clarified.

“She won’t say anything because she won’t know.”

Mr. Haqqi was visibly less nervous now that he had a handle on my process here. “Oh, look at you! Mr. Boy Scout throwing away his merit badges.” He waved his finger at me like one does to a child. “A-jeeb, we say in Arabic; very strange of you, Ethan.”

At this point I got defensive; The very last thing I needed right now was his judgment. “Look, Basim: I love my wife but I can have a fuckin’ internal life that doesn’t always include her.”

“And your baby? If you become a junky, what happens to her? Your baby’s gonna have a junky for a daddy?”

“I won’t become a junky because I won’t get addicted.” Of that fact, I felt supremely confident. I inhaled a deep lungful of air and went on. “And I love my life. That all makes my transformation into a junky an impossibility. That isn’t self-control, either; that’s just how I am.” Mr. Haqqi stared at me while I went on this impassioned diatribe. I felt like I was winning him back and that made me happy. Mr. Haqqi nodded and had a look on his face like he knew I was going to say that. I wanted him to stop acting like he knew where this was all going. And I wanted the whole thing to be less damn serious. “But really, I was just so fucking bored on this very, very long flight.”

That did it. Mr. Haqqi laughed and clapped in that way he often does. I liked that. It made me feel like I’d put on a good show. Whether or not I was being honest, I guess this was a show. It was time for the encore, though I wasn’t the one presenting it; Mr. Haqqi dropped that bomb:

“You know, that shit you took is not just junk.”

My skin felt cold. “That right?”

“It is junk, but it’s more than that, too. Experimental shit. Psychotropic opioids. You like?” Perplexed over what to make of this, I just smiled and sipped scotch. There was really nothing else to do. Mr. Haqqi toasted me. “Ethan, I gotta go but let me tell you, that took some balls, man.”

I toasted him back. As he stumbled out of the room, I remembered my question. It took me a moment to speak up; I almost didn’t ask. At the time, I had no idea why. “Speaking of balls, Basim, what do you think about sending me up?”

He froze and glanced over his shoulder, though we didn’t meet eyes. He turned and still wouldn’t look at me. It almost seemed as if he were trying to discern what I meant by this vague statement though I knew he knew what I meant.

“The next mission, in two months. I want to go up. I want to be a cosmonaut.”

My heart was sinking; he was still giving me that look. There’s only two people who can decide who goes up: me, because I confirm what’s marketable, and him, because he writes the checks. Beyond that, any unwashed idiot in a bio-suit can fly. I’m not necessarily marketable enough to meet our current numbers though I’m more than willing to say that I am. If you were to ask me right then and there, I would tell you he wasn’t buying it. I took a deep breath and started pitching him on it.

“Amateur numbers are still quite—”

“Sure.”

“Sure?” I choked on my own saliva when I realized what he was saying. “What does ‘sure’ mean?”

“You going on the next mission. You becoming a cosmonaut. Yes. Fine. It’ll be brilliant.”

“Oh.” It had been too easy. Everything I’d been working towards sealed with a conversation that I almost didn’t have the wherewithal to make happen. And if what happened next in my life was any indication, this was a conversation that may never have happened. “Okay, then.”

“I’d love to go too, bro. But, you know, I take these heart meds and I don’t think my doctor would approve. Or my father. Or my shareholders. Haha.”

Though I was acting very cool on the outside—like we’d been on the same page all along—inside I was bursting with the amalgamated glee of receiving a blowjob while hitting a home run in the World Series. Just moments prior, it had appeared as though things were about to go very, very poorly and I’d end up regretting everything I’d done and said on that jet—especially the junk.

Now, looking back, it all seems like empyreal perfection.

#

“That might be the stupidest idea I’ve ever heard.”

Gutted doesn’t begin to describe the way I felt when Alana rejected my already-well-in-motion plans to go on the next mission. To be fair, she didn’t know this was some big dream of mine. It seems ridiculous to say it out loud, but I’d never expressed it in as many words, always presuming she’d picked up on my intentions through osmosis or something. She assumed this was designed as a publicity stunt and that I could take it or leave it, otherwise I don’t think she would have been so harsh. Even then, I was hesitant to tell her that it was indeed, a big dream. If I didn’t tell her, I could pretend not to care and be a bit more dispassionate and effective while arguing.

“You know, it’s actually quite safe.”

“Uh, it’s not safer than you not going at all!”

“Statistically, it’s a lower risk than jaywalking.”

“One word: Challenger.”

“That’s not fair. Compared to what we’re using these days, those poor bastards were riding a hot-air balloon.”

“Jesus Christ, Ethan. I cannot believe we’re discussing this! You…are going…to be…a dad.”

I hated when she took that tone with me, like I was being impulsive and reckless. In retrospect, I wish I’d been able to somehow turn off every desire in my brain and just fall in line with her whole argument. Instead, I lied.

“Fine. You obviously feel very strongly about this. I’ll have them send someone else instead of me.” It was a side effect of my eagerness to fulfill this wish that I was so lazy with the subterfuge. Alana flinched like she’d felt a snap of whiplash; I don’t typically give in that easily. Still, she bought it.

“Okay, um…okay. What do you want for dinner?”

I said I didn’t care. She said she’d make rabbit stew. It was a full ten minutes before she started to cry. I remember distinctly: she began crying while she chopped the carrots. I’d remembered because I thought it was strange that the carrots and not the onions were making her cry. She set the knife down and leaned against the counter. I started rubbing her arm to see if she was okay and that’s when she finally let her tears out in earnest. Then she began apologizing to me through sobs. “I’m sorry, Ethan. I’m sorry I didn’t let you do something you wanted to do. I’m really, really sorry. I mean it.” My heart sank. I didn’t say anything; I just kept rubbing her arms and shushing her until sobs settled into sniffles. She went on. “Just when you said that. The only thing I could think in my head was the word, ‘widow’. It wasn’t even that I imagined the shuttle crashing or anything like that; I just kept seeing that word flashing in my brain and I couldn’t turn it off and I—”

“Sh-sh. It’s okay. I’m not going.” I know I sound like a monster for still planning to go and at this point, I wouldn’t disagree. I’d compartmentalized this space mission apart from every other commitment in my life so in a way, I wasn’t betraying anything or anyone; another person was going to do those things. I was a spy in my own body and the worst part is that it was all kinds of fun.

Dinner was delicious. We made love that night, which was rare at this point in the pregnancy. She initiated, probably fueled by the trauma of my near-death in her mind. We got down to it like savages, drunk on each other’s stink. I fell asleep with my hand on her baby bump. The next day, I asked Mr. Haqqi to arrange for someone to fly in my stead, someone who would be unavailable for the launch until the very last minute and for whom I would serve as a last-minute replacement. This replacement would occur so close to the launch, there would be no time to announce it and only those watching the broadcast (which Alana, thankfully, never did) would be aware of my presence on the craft. Mr. Haqqi was so sympathetic to my situation, he’d even suggested I adopt a name and a disguise: grow a beard and bleach my brown hair—a style I’d never cotton to in a million years—to ensure no one noticed when I got on board. He even offered to pick me up from my house—he’d bring breakfast including Alana’s favorite latte in The Valley—to deliver the pretense that we were on our way to the airport to fly to Dubai for a fundraising trip, all for the sake of bolstering an alibi beyond second or third blush. There’s no one better than an adulterer to cross your ‘T’s and dot your ‘I’s when manufacturing a lie.

As it turned out, none of that ended up being necessary.

#

I was sleeping on the chair in my office, two floors up from Mission Control, the morning of the launch. I woke up smelly and unshaven from several days’ worth of neglect and didn’t bother to so much as brush my teeth, much less disguise myself before the launch. I was taking a shot of bourbon every time I thought of my wife’s stomach, plump with our baby.

#

It was exactly fourteen days prior to the launch when I received a phone call from Mr. Haqqi. It seems that the “dummy” cosmonaut who I was to replace on the flight was getting mightily attached to the idea of flying. This man was his business partner U. Gene Gibraltar, a man who was now threatening to expose Haqqi’s affair with Zandra and—this was the really fucked-up part—reveal the identity of their out-of-wedlock son who could potentially stand to inherit all of Haqqi’s fortune when he comes of age. “You see my problem here, Ethan? This bastard Gibraltar, I mean…I’m really, really sorry, man.” Incredulity and numbness contended through my nervous system until I finally slapped myself. This bullshit billionaires’ soap opera was preventing me from my dreams. I didn’t know what to say. I just dropped my phone to the ground without saying goodbye.

At that point, Alana walked back into the kitchen. She’d brought me my favorite breakfast: strong french roast with a spoonful of cream, an everything bagel with lox cream cheese, cucumbers and tomatoes, and a handful of strawberries. She smiled that beaming smile she gets from a full night’s sleep. Her baby bump looked glorious—lovely and round. I was so disarmed by this scene, my lower lip trembled and I began to cry.

“What’s the matter, honey. Did something happen?”

I took the tray from her and set it down. Then I nuzzled my nose into her neck. I breathed in deeply the smell of her lavender soap. If I could somehow manage it, I thought, I will never leave the crook of her neck again.

#

When I went to bed that night, there were no omens foreboding what was to come in a few short hours save for the fact that my wife did not go to bed with me and never did come to bed before it happened. She felt “up” and wanted to eat and work a little.

It was 11:30 P.M. Alana made that sound:

Ooh.

Then this:

“Ooooo…UNNGH!

The weak spot in the floorboards creaked, leaving just that moan. It was over.

Alana wanted to be alone after she lost the baby; it seemed she was repulsed by any human presence, much less mine, on the most fundamental level. She couldn’t even look at me. That’s when the sick feeling in my stomach from losing the baby quivered and turned into real tears flowing down my cheek. It took that—my wife being unable to find comfort with me—to break me; not the deluge of uterine blood that hit our floors, not her sitting spread-eagle on the wood while gathering the blood between her legs, not her finally crying and resting her head on the blood-soaked floorboards; that all looked so unlike my life, I couldn’t process it as real. That’s how real horror feels—like numbness.

She wouldn’t answer me, no matter how many times I called her name, no matter what I said to console her. She spent the whole night out there on the floor, soaked in her own blood. Eventually, 6:30 AM hit and I couldn’t keep my eyes open. The blood had clotted onto the floors. I remembered thinking our floors were ruined. I walked into our bedroom and literally fell asleep, landing unconscious on my face from a standing position.

It was only while asleep that the gears began turning in my mind and I started to process the whole thing. That was it. We won’t try to have another child; Alana won’t put herself through that again. She won’t risk that disappointment of losing a second child. She’s done and that means I’m done. We will not have a family. I felt like I’d dreamt all that until I woke up later that afternoon to find my pillow damp with tears. I walked around the house and everything looked caked over with this white film; I couldn’t clear my eyes or see straight at all. Walking into the kitchen, I could make out Alana through the haze, sitting at the dining table, facing the window. At this point, the haze was so frustratingly thick, I deliberately knocked my head against the wood cabinet in the hopes that I could see straight afterwards. It worked but unfortunately it startled Alana who dropped the bottle of red wine she’d been holding, sending it crashing to the white tile below. We were both frozen, staring at the second deluge of red liquid to cover the ground in our home. With that, she made my decision for me.

“You have to leave.” She didn’t qualify this statement and truly she didn’t need to. She wasn’t leaving me; she was letting me go. I just nodded.

That’s how it ended. If there had been more to me and I’d opted to move on to the next stage of my life, I’m sure we’d have reconnected, possibly even reconciled. I can’t quite explain what switched inside me from that point on but the long game in life ceased to matter. The only thing that made sense was a simpler point-to-point wiring of reality. The whole notion of working towards a future fizzled; suddenly that white film was gone and the circuitry of my new world made itself known. Every phenomenal or imagined aspect of reality became a source of pain; water, air, humans—every joyful thing on Earth was suddenly and drastically inverted into the perfected utensils of Hell. I felt as though I was being hunted and extracted from the Book of Life. In light of these unexpectedly dire circumstances, I took my second trip. It was not going to be the transcendent leap I’d hoped for, but the pain was unbearable and demanded to be dealt with.

#

The second time was like an inverted version of the first: I felt that rush focus itself inward. Instead of my body propelling forward into the vastest realms of space, I felt that vastness compress, converging towards a point centered right in the middle of my forehead. It felt like God was drilling the heavens into my skull. I watched as that limitless celestial wash compressed itself and just at the threshold of a pressure that would have caved in my cranium, it actually asked me for permission to do so. There were no words spoken, it just wanted me to express my willingness.

So I did. It was at that point that the rush drilling itself into my brain began to take form. Star-like specks congealed into recognizable shapes, shapes that slowly took dimension like topographic maps converging into a sea of human faces and bodies, glowing full of light. A swirling morass of illuminated humanoid wraiths whirled in a vortex, expanding and contracting its circumference from as narrow as a pinprick to wider than the visible night sky. Amongst them, I caught eyes with a woman who was a motionless light inside the vortex. She saw me too and she flew back towards my direction to offer me her hand. The first time, it was too sudden and I missed it; she got caught in another revolution of the vortex and flew far away, small as a pinprick. I never lost track of her though, and this time she flew back from a different angle. As she approached me, she aimed herself to arrive behind me. I thought she would miss me again until suddenly I felt myself rising up. I looked back and saw that it was her carrying me as we both floated up towards the eye of the vortex. Floating and rising ever higher, she reoriented me to face her.

She was a beautiful young woman roughly my wife’s age. In fact, I saw much of my wife in her and immediately became enamored of her face; there was then no doubt in my mind that this was what our adult daughter would have looked like. How I was seeing her now and how somewhere in the universe there was a conscious notion of her as an adult when she never survived to be an infant, was completely beyond me though it was only a question I asked myself when this vision subsided. Inside the depth of this vortex it all made perfect sense.

Her stare cut holes in my brain, amplifying the only thought worth thinking: Alana returning from the bathroom, just before a deluge of blood spilled from her uterus. I tried to push the thought away but the woman, this grown facsimile of what may be my daughter, drew closer, asking, “Let me see…” The holes in my head were getting deeper. “Let me see… Let me see…” Her insistence made me want to hide but there was no way I could. Alana was lit up in my head, stark as the moment I found her. A flood of light cast upon her; she flinched from the brightness and the scene grew so impossibly real, I was there, repeating the horror. For some reason, we were seeing her from above and behind, from what was an impossible vantage point for any person in our house. It would have to be coming from the wall, or more specifically, the crown molding. This could only be the view from our security camera.

Suddenly, it all became clear: this woman was not my daughter. “Shh” she repeated, smiling and rushing towards Alana, nullifying the vision in a swarm of grey. Everything went black and the vortex collapsed in on itself. It all happened so fast, stripped like the details of a dream upon waking.

I returned to consciousness in the backseat of my wife’s Subaru. The sunlight played with the cloudy watermarks on the back seat window. One of them looked like her, I swear it—that woman or spirit or banshee that impersonated my adult daughter. I mashed my cheek against the glass and tried to mimic the wheezing sound my wife made the night she lost the baby.

The only thing left to do was prepare for my first mission into space and my last day on Earth.

#

My next destination was the home of Mr. Haqqi where I’d inelegantly attempt to acquire the rest of the bag of psychotropic junk. As I’d expected, he wasn’t willing, yet I debated him continuously and dispassionately.

“Absolutely not.”

“I’ll pay you everything I have for it.” I was so effective at keeping the boiling terror in my brain at bay, I was honestly scaring myself.

“What, you think I need your money? Everything you have I spend in one day.”

“Then just give it to me as a favor.”

“No, my favor to you will be to call the police, my friend.” Very much unlike me, I decided to pull something really awful.

“I can call the police too, Basim. But I can tell them about more interesting things than experimental heroin.”

“You bastard.”

“No. Your bastard.”

“Fuck you, Ethan. What’s the matter with you?!”

“It’s not good, Basim.” I wanted to tell him but where to stop? How could I explain what I saw this morning? It had gotten all too fantastic.

“What about that shit about having something to live for?”

“That’s unfortunately no longer the case.”

He was silent. What do you say to someone who tells you that? Nothing—that’s what I was banking on. However, he wouldn’t be Basim Haqqi if that’s all it took for him to give up.

“You are being stupid right now and I’m not going to let you do this.”

“Yes, you will.” I’d never spoken that defiantly in my life. I didn’t even know what I was going to do to back that up.

“Then tell me why. Why would you go back on your word? If you feel so strongly, make me feel strongly too; the way you did when you convinced me to invest in the Initiative. Make me feel that way about…this.”

I wasn’t ready for that. I truly had nothing to say to him. I just stood there, stone-faced. It wasn’t that I didn’t feel strong in my conviction that I should be on the next mission with a bag of the psychotropic opioids while I dissolve into deep space. The fact is, I was already there in my mind. This was a momentary nuisance, a by-product of the phenomenal experience. Speaking seemed crude so I chose to remain silent.

“Alright, well, if you have nothing to say—”

His phone buzzed and he removed it from the pocket of his polyester track pants. Whatever the person on the other end told him made the blood drain from his face almost instantly. He kept saying, uh-huh and the occasional wow. He hung up the phone and shot me a horrific look. At last he asked me something that might’ve shocked me if I wasn’t already terrified by my own demons.

“Ethan, tell me honestly: you wouldn’t…kill someone, would you?”

“What?! No.” I was too numb to even process this accusation. My pulse didn’t quicken. Mr. Haqqi shot me a sideways glance, his mouth agape, glancing dumbly at the phone in his hands.

“You know who that was?” I shook my head. “Gibraltar’s people. He died last night. Of an aneurysm.” I nodded, still unsure what this had to do with me. “In his sleep. At like 11:30.” My face turned white; I felt it starting. “They said his…that his temple caved in at a point, like he’d been drilled in the head. There was no sign of struggle or a weapon.” I touched my forehead and remembered everything in that vision so clearly it outshone this reality. That was what finally cut me deep.

Mr. Haqqi rubbed his mouth and started fishing around in his pocket. “Too fucking weird, man.” He tossed his airstrip passcard to the ground and walked back into his house. There were no words exchanged. He just repeated the same thing a couple more times. “That’s just too fucking weird. Too fucking weird.” Then he walked back into his house. I picked up the keys and felt a surge run through my body. I felt like a spy with no mission, engaged in deep metaphysical espionage for its own sake. Before I left his property I had a tormenting sensation that I’d split into two consciousnesses and one half of me wasn’t telling myself something that the other half of me knew. This sensation followed me around all day until I found the psychotropic opioids in Mr. Haqqi’s office at the airstrip and began to focus on my last trip.

#

The morning of the launch, I could’ve probably been admitted to an emergency room, so severe was my alcohol poisoning. There was a plank that I maneuvered my legs onto, and it was all I could do to hold back vomit. The news feed was saying I was some kind of artist—a sculptor from Greece, I think?—and that I looked “groggy cool”. My apparent composure was fortunate only for the sake of not getting kicked off the mission; I didn’t particularly care what anyone thought—ironic, because this was our biggest launch ever. My family became very, very rich today. At 35 years old, I could have retired.

Providence kept me here—I was a total mess but something wants me on this ship. As we boarded, they asked each of us our names: I flashed a peace sign, everyone laughed. Once aboard, I’d expected to need some sort of distraction to refit my suit’s glucose IV with an opioid one. There was nothing but distraction abounding as every cosmonaut detailed their flight experience and mourned the loss of the man I had always been intended to replace on this mission. Of course, no one from the press recognized who I was, and just as well. I folded my suit into a port adjacent to the airlock, and with every pertinent task relating to my final hours at last sorted, I plugged in my caffeine IV and let my mind wander.

The shape of the vortex from my opioid vision quests rushed back to my mind. It seemed to be a fingerprinted form of my infinity, a vision of the cosmos from my vantage point. I’d spent my first journey into infinity exploring the extra-human beauty of the universe. I saw things I was probably not supposed to see. The next journey was indulgent and dangerous—I’d allowed myself to be hunted by an assassin, specifically a reaper of consciousness; I knew that now. Whether she led me there or I led her there was the last question to plague me before I inserted the opioid IV.

My logic is convoluted but that doesn’t mean it isn’t sound. I said goodbye to my family and hoped they would forgive me, if not now, then somewhere in eternity. The last thought I want to leave with anyone concerned for my well-being is that I could not be happier at this outcome given the circumstances. Here, there is no judgment, only awe and peace. It’s perhaps fitting that such a biologically untenable setting as deep space—combined with the nullifying opioid high—should so simply meet every need that the most complex circumlocutions commonly known as “lives” could not dream of satisfying. Here, I will burn my whole candle in one blessed night. To the cries and confusion of my cabin mates, I open the airlock and allow the cosmos to suck me out in a rush and drill its beauty into my brain again. Smiling, I can only wave to them as they stare in horror from their seats. I’m leaving this world, alone, and high on the unbearable light of our only star.

STAR WARS: BEFORE THE FALL, Pt. 1 — “An Older Code”

[The first in a series of (ahem) fan fictions, designed to fill in some interesting cracks in the original Star Wars continuity with pure conjecture based on the actions of minor characters I love. Today's subject: Admiral Firmus Piett]

With a massive handful of chak, several stalks of which she’s resolved to prepare for breakfast, Nieve Piett tiptoes towards the stove during the pre-dawn hours so as not to awake the children. She’s unsure how this works; collectively, the three-foot stalks are four times the size of her biggest pot. Supposedly, chak boils down and its stalks soften to a creamy texture but she couldn’t place much faith in that level of transmutation this morning.

Most of the indigenous population of the Taere system wakes up two hours earlier to start preparing bundles of chak for much bigger families. Skeptical that it could take so long to cook for three kids, as well as fundamentally unwilling to lose that much sleep over breakfast, Nieve starts boiling water a mere hour before the children awaken. Exhausted from picking the chak (it HAS to be fresh or it tastes distressingly close to rancid Bantha meat) she peers at the water every couple of minutes, her stomach audibly grumbling. If this doesn’t work, she thinks, she’ll forsake sleep and wake up early. It’s important to adopt the culture of the place where you live, she thinks. Even if the Empire successfully stomps it out, perhaps the families of the Imperial Army will sustain it, at least in part. There is certainly nothing better to do as she and her children wait on this planet that is not their home, while Firmus negotiates the unfortunate privilege of standing at the helm of a galactic war.

*

She turns up the heat and laughs inwardly, wondering if this water might boil faster if she had the Force. It is then that she misses Firmus, a fierce pinching feeling that seems to rise along the wall of her stomach. Perhaps it’s the hunger, she thinks, but when she stands she sees her reflection against the still-dark window pane and notices the moisture of tears on her cheek, tears she hadn’t realized she wept. Soon, Firmus had said, soon a significant gesture would be made that will weaken the Rebellion if not for good, then for long enough so that he could return and spend an entire year, likely longer, with his family.

Still gazing at her reflection, she forces herself to smile, then she does smile of her own accord when she recalls the first time she met him. So clever, so much promise. Once again, she distinctly remembers that conversation they had the second night they’d spent together, one Firmus persistently denies having, the one in which he told her he’d distinctly felt the Force within himself and what if he became a Jedi?

A loud triplet of knocks interrupts her thought, as though Firmus had sent a visitor in his stead before she got carried away with that idea. The water is still cool.

It’s Brenn Ozzel. If there’s anyone she doesn’t have the patience for, and with an empty stomach and the bleakest mood she’s been in since Firmus left, it’s Brenn Ozzel. Being kind to Brenn is a kind of charity. The moment she opens the door, Nieve notices the freshly made dish of chak Brenn holds and suddenly, she feels a bit more charitable.

“Nieve, how are you today?”

“I’m fine. It’s early.”

“Yes. Not early enough of course but certainly hours before the little ones are due to rise. How are they, by the way? Kendal and I love children, you know.”

It always makes her nauseous to hear that name and in her current state, she chokes back vomit.

“Hmm. Yes, they’re fine, Brenn. Did you need something, or…?” Nieve is so anxious for her to offer some of the steaming, fragrant plate of food, she fears it may not in fact happen.

“Of course not. It is you, who needs something, my dear.” Nieve’s eyes widen. She doesn’t care about this whole obnoxious exchange because Brenn is now handing her the hot plate of chak. ”I prepared it just this morning. I make a family’s portion so of course I’ve made far too much.”

Nieve takes the bowl and breathes in a deep waft of the warm steam rising from the bowl. The complex spiced aroma and golden sweet glaze is universes away from the batch of hardy weeds on her table.

“It turned out perfect, as usual. And I’d remembered something you said about attempting to make your own this morning and I thought, well, that’s not going to go too well, I imagine.” Brenn smiles. Nieve’s desire to punch Brenn’s face bloody threatens to build to the surface–it always somehow feels stronger than the last time, as though each offense builds on the one prior–but subsides in pity, as always.

“My goodness it feels like they’ve been gone forever, hasn’t it? I do miss Kendal something fierce.”

Nieve clears her throat. She’s not sure what to say; she’s never sure what to say when they talk about Kendal. She only knows because Firmus knows and they’d agreed they ought to let the Empire inform her, though they hadn’t and may never bother at this point. It is perhaps time for Nieve to take it upon herself and tell Brenn. It’s been long since time, actually but it takes an overwhelming effort to crush this small woman’s soul, ultimately more than Nieve has within her. Tears drop down her cheeks when she so much as considers the idea. So she just nods and listens.

“Did you hear they’re due back as early as tomorrow?”

Nieve face turns white and her eyes go wide. The lid of her largest steel pot clangs as the water finally reaches boiling.

“I– I hadn’t heard anything certain one way or the other.” Nieve is being diplomatic. She’d spoken with Firmus via teleview earlier this week and he was vague about exact times. She pressed him for it but he said nothing was certain and he didn’t want to get her hopes up. Point taken, Firmus, she thinks. Hopes are now officially and impossibly, up.

“Well, that’s what several Imperial families had heard. Obviously I haven’t spoken to Kendal so I make do with murmurings!” That name again. Nieve feels a pang of sourness. Just as she’s about to ask a half dozen questions she knows she shouldn’t, Brenn clicks her tongue and interjects her exit. “How exciting, no? Enjoy the chak. I’ll stop by later for the bowl.” Her complete disinterest in Nieve’s input was never more welcome. Brenn turns and walks away, her clean gray wool suit swaying at her ankles.

A sliver of sun sets the horizon ablaze with deep reds and oranges and Nieve Piett decides that tomorrow she will tell Brenn Ozzel that her husband Kendal is dead.

*

Admiral Firmus Piett is losing the war on behalf of the Empire yet keeping quite calm about the fact. He leans in quietly to express his concerns to the first helmsman aboard The Executor. “Officer Krevot, please listen to me closely. Despite what Lord Vader believes, I am under the impression that we must begin an evasive maneuver.”

“But, sir–”

“Please let me finish. That is, however, not the stated order of The Empire, therefore we must do everything in our power to, shall we say, make progress in that direction as subtly as possible.”

“Admiral Piett, with all due respect, The Executor is incapable of subtlety.”

Piett’s eyes narrow and he does his level best to intimidate Krevot, despite his realization that the young helmsman is indeed, right. “Surely the crown jewel of the Imperial Navy can steel itself against destruction.”

That word ‘destruction’ visibly chills Krevot. Good god, Piett thinks, do they not see how poorly this is going? Do they believe Vader infallible and capable of some advantage even at this juncture? It’s an unfortunate series of circumstances that led Piett to the Admiral’s chair, the ultimate irony being that the highest ranking officer in the Empire has little faith in the Empire’s resolve. He doubts not their power but their ability to respond creatively to subversions of their power. Yes, Admiral Piett wants to turn and run because he feels the Empire is destined to lose, and entertaining that thought–amidst battle on the deck of The Executor, no less–fills him with a terror so massive, only the image of his wife feeding their children consoles him. He swears he can see what she’s doing at any given moment (though he’s never admitted that to her) and right now she’s doing that very thing as the sun is rising in a place that is not their home and he’s filled with a temporarily palliating peace. If he dies, so be it. May the Force be with her.

“Begin evasive maneuvers, Officer Krevot.”

Krevot’s eyes wander the immediate vicinity for validation that he does not find. No one so much as notices Piett’s quiet declaration of mutiny. Krevot, his mind made up the moment the words escaped Piett’s lips, realizes that the Admiral is, in fact, far off script.

“Admiral, I’m afraid I cannot do that.”

“Say again?”

“I said I cannot steer The Executor away from its present course.”

“Cannot or will not?”

Krevot clears his throat, surer in defiance than an allegiance. “Both, sir.”

Piett attempts to regain some composure and curb the terribly emotional flares he’s let off. “It’s become clear to me that this ambush was in fact poorly planned and if we act quickly we might save The Executor. It is an executive decision.”

“Without the explicit order of Lord Vader or The Emperor, I will not–”

Piett grows deeply frustrated. “Am I not your commanding officer, Krevot?”

“Yes sir.”

“And am I not better apprised of the realities of this conflict, given my vantage point?”

“Perhaps, sir, but I–”

“Then is this not insubordination?”

Krevot’s face pinches. He’s genuinely offended though refusing to lose his temper. “You’ve suggested mutiny, Admiral.”

“This will save our lives!”

Piett raps his fist on the helm, having officially captured the attention of everyone in earshot including Captain Gherant, his far more dedicated subordinate.

“Admiral, is there a problem?”

Piett and Krevot eye each other, each wondering who really possesses the upper hand in this unique situation where one is in the right and one is in charge. Krevot is steeling himself to fall on his sword when Piett beats him to the punch.

“No problem at all, Captain.” Piett straightens his posture. “There was a question of tactics, we had a difference of opinion, and I let myself get carried away.” Krevot’s eyes widen and his lips shut. “I think I will defer to the helmsman in this case. Carry on.”

Krevot never entered the next set of coordinates. From the moment Piett began his response, the helmsman hadn’t noted a word of it, fixated as he was on a small rebel craft spinning wildly out of control off starboard, on a course to fly over their heads in a matter of sixty seconds. And yet the craft, through no effort of its own, seemed to be drawing lower as it approached, perhaps due to The Executor’s onboard gravitational engine drawing it closer.

“Admiral, look.”

From this vantage point, Krevot could see the pilot struggling to fire the thrusters but it was clearly no use. The craft was now quite close and, due to the pull of the grav engine, drawing exponentially closer, now destined for the bridge windows.

Even in the maw of death, Piett is not small enough to say, I told you so. “All hands, take evasive action.”

Krevot’s already made up his mind. Captain Gherant is the first one to hit the deck.

“It’s too late!”

The rebel ship bursts through the glass in a conflagration soon to be swallowed by the vacuum of space.

*

It was in the middle of breakfast, her children happily stuffing their faces, when the comm-feed started up, accelerating steadily from that point on. The first few are variations on anonymously sent communiques she receives at least once a week.

“It’s over.”

“They’re done.”

“Rebels on their way.”

It’s not the increasing volume of messages that tips Nieve off, it’s when they start arriving with names attached.

“Death Star destroyed.”

“The reign is over. Pray they don’t find us.”

Names of Imperial families. Just the last names as though such pseudo-anonymity protects the writers. Everyone knows an Imperial family by last name so treasonous dispatches usually get sent out with anonymous home signatures. Sometimes these are the expected rebels hiding amongst indigenous tribes, sowing discontent. Sometimes however it is, in fact, Imperial families, usually an older child afflicted with sympathy for The Rebellion. This happened precisely once where the guilty party, the son of a recently slain Imperial pilot, used his real full name to lament his father’s death and curse the Empire for their “casual and dehumanizing attitude towards butchery.” He demanded to speak with the Emperor himself, confident that he could convince him to convert the Death Star into an orphanage (Lord Vader was purportedly “extremely enthusiastic” about this courageous young man and wanted to meet him personally.)

This morning is officially the second time a first name was used since that incident. The message read: “The Empire is defeated. May The Force be with those you love.”

The signature: Brenn Ozzel.

*

A torrent of bodies flies out the window on the uppermost deck of The Executor bridge before two sets of automatic blast doors close. The last three of these catch in the internal doors’ rapidly closing teeth. Two men, Captain Gherant and Officer Krevot, are stuck with their lower halves facing the outer doors, still alive despite the teeth of the doors gnashing their mid-sections, the gears moaning as they persist in their attempt to close fully. In between them lies Officer Bá, only his legs visible as his torso dangles on the other side of the maw, limp and lifeless, several pink- and blue-colored gooey lumps of his viscera draped atop blunted gunmetal gray teeth.

Captain Gherant spots at least a dozen breathing pods deployed atop the deck floor, most of which are now deflated and taut against the corpses of their occupants. Some of these are black and charred inside, the automatically deployed pods having captured flames from the crash and supplied them with the oxygen to burst, turning the pods into little death traps.

One pod, however, remains inflated, rising and falling in time with its occupant’s breath. Peering out of bleary sweat-soaked eyes from inside the maw of the blast gates, its teeth dully gnawing at the walls of his intestines, Gherant thinks he spies a familiar face through the foggy plastic of the pod.

“Firmus?”

*

Dragging her confused son and daughter behind her, Nieve Piett runs for the Ozzel settlement less than one mile away. She’s heaving breaths and tears. Her children wonder why she’s crying in the unemotional, detached way typical of children of a certain age for whom empathy is not necessary and even potentially toxic. They run in the tall weeds behind her and come to believe that what’s happening is actually some sort of game and so they start laughing to each other while their mother drags them towards Brenn’s door.

She’s doing precisely what she’d feared which was to engage Brenn Ozzel in the midst of tumultuous emotions at the moment when she’s to deliver the horrible news. Between hyperventilating breaths and the pounding pulse of blood in her head, she knocks the door and thinks that for the first time in her life, she’ll make it up as she goes along. May The Force be with her.

Brenn answers the door looking clean and collected as ever. In fact, she looks down with pity at a hunched and emotionally spent Nieve who can barely look up through the tears. Her children play several meters behind her, long since forgetting to care what the point of this walk had been and hiding behind trees and giggling as they chased one another while a now full and bright sun cast gold over the fields.

“Nieve? Oh my goodness, whatever is the matter?”

A thousand things Nieve is too horrified to say pass through her head and as if from somewhere outside herself, she simply allows herself to speak.

“He’s dead.”

Brenn’s face scrunches in confusion. “Who do you mean? Who’s dead?”

“Kendal. He’s been dead. I never could tell you, it’s just–” And with that she bursts into tears. An eerily calm Brenn is now in the strange position of consoling a completely overcome Nieve and, without further ado, pulls back from Nieve and makes a confession of her own.

“Well, of course he is. Didn’t you think I knew?”

The relief that Nieve feels at hearing this is the lightest she’ll feel for the rest of the day and for a long while afterwards. She hugs Brenn and both of them hear Brenn’s comm feed furiously double its output with reports that The Executor has been destroyed.

*

Immediately upon opening his eyes, Firmus Piett thinks he’s blind and on fire. Beneath his sweat-caked uniform, his skin feels tinged with fever. He gasps for quick breaths that cast an ever-blooming shot of condensation onto the blurry plastic before him. The one thing she taught him, that is, the thing he learned once he fell in love, is not to panic. Panic begets rash judgments and imprecision. It is the precursor to all failures, and is right now, quite literally the very oxygen upon which the growing flame on the cuff of his trousers feeds. Firmus Piett focuses on grasping the small blade that resides in his belt pouch, paying no mind to the astonishing progress of the errant flame that spreads to the waist of his trousers in seconds.

The blade extends and with one sure swipe, he slashes open the plastic shell of the oxygen pod. Immediately, Firmus rolls out across the bridge floor, through no effort of his own. The Executor’s orientation shifts drastically, having lost all thruster power. Its nose faces the Death Star and will soon crash against its hull but no one alive on The Executor inside its massively disabled bridge is privy to that information. Elsewhere, the flagship’s occupants make their way towards all available escape pods and TIE fighters. The Empire’s premier battleship has fallen and with it, a substantial chunk of its first officers and Navy. The Rebellion has officially won the battle, if not yet the war.

“Firmus! Come quickly, please!” Captain Gherant spits up blood, his eyes trained firmly on the Admiral as the latter stamps out the flames engulfing his pants leg. Gherant strains not to look to his left, where he knows he’ll spy the dead legs of Bá twitching and further over, Officer Krevot, whose pale face and maimed mid-section mirror too closely Gherant’s own. “Firmus, please drag what’s left of me to an escape pod. I beg you to hurry.”

At last able to focus his attention on something other than his enflamed leg, Admiral Piett glances up, recoiling instantly at the terrifying triptych of Gherant’s and Krevot’s top halves on either side of Bá’s bottom, the whine of the gears unremitting as it pulses to close shut. Presuming that these men still demand a leader, if not for the sake of battle then at least to bolster their flagging wills, Piett calls upon every ounce of his will not to vomit at this scene. Krevot can only utter a barely perceptible periodic moan while Gherant continues to beg for Piett’s speed.

“Please, Admiral. Only my bones prevent these teeth from sealing shut.”

These horrible details are of course useless to Piett, whose tuning out everything he sees and hears to focus on manipulating the control panel beside the blast gates. Tinkering with buttons and circuits disseminates a deeply absorbing calm throughout his system. His panic never fully subsides; instead, it shrinks back and waits like a sniper. Having no proper familiarity with these controls, he experiments with some informed guesses, attempting various protocols, even some highly classified overrides. But as Krevot’s first intelligible utterance confirms, it’s no use.

“No use… sir. Can’t… stop… these doors.”

Piett’s eyes widen. “That’s– that’s monstrous! Are you sure?”

Krevot nods, closing his mouth to mine his palate for precious moisture. “Part of… design.” Then he glances at Piett knowingly and smiles. “Stubborn… ship.”

Choking back tears for this poor boy half his age, he bites his lip and looks about the bridge floor. Noticing a loaded blaster a few paces away, he quickly fetches it and presents his last order as the commanding officer of the now-rumbling and thrusterless Executor.

“I will attempt to bisect the both of you with this blaster, thus freeing the essential top halves of your bodies.”

Gherant vomits blood. “D-dear god.”

“I know this is horrific but I’m confident your bottom halves will be easier to replicate than the top. The blast will also cauterize your wounds thus affording you the best chance of survival possible.”

Krevot still seems too dazed and unaware to realize what’s happening. Gherant is openly weeping. Recalling nothing useful from his astonishingly brief stint as a medical intern, Piett steels himself for an amateur surgerical procedure.

“Gentlemen, are you prepared?”

Piett’s aimed for Gherant’s mid-section but Gherant is anything but prepared.

“Please, Admiral! Free the boy first. It’s only proper!”

Piett nods. Gherant is a coward but he’ll grant him this reprieve for the sake of time, if nothing else. Piett trains his blaster on Krevot and applies a light, fixed pressure to the trigger, unleashing a stream that he uses as a surgical tool. As the laser cuts along his mid-section, Krevot only makes a vague grimace, his nerves likely too damaged to register the pain. As Piett reaches the halfway point, he notices the teeth of the blast doors closing tighter. Gherant notices too.

“Admiral! Please, the teeth are closing! I can feel my insides– GYAH!!!”

Piett pretends not to hear this. The lack of tension from a third body is allowing the gates to close. That, he thinks, is no reason to ignore the task at hand. He guides the laser stream below Krevot’s stomach, mercifully preserving its integrity.

“Admiral! Surely a superior officer must be– AGH– priority?!”

The laser is almost clean across. The teeth are nearly met.

“Please!!!”

I have made my choice.

Krevot’s torso falls to the ground, and the young officer lets a gasp escape from what remains of his body. The teeth meet snapping Bá and Gherant in half in a ceremonious doubled burst of blood. Using time he might have possibly spent cauterizing the captain’s garish mortal wound, Piett performs a perfunctory vital scan on Krevot confirming the operation successful. Gherant bleeds to death atop the bridge floor.

Deep inside the Death Star, unbeknownst to all but one Rebel soldier, the Emperor has also met his end at the hands of Lord Vader.

And with that, the last commanding officer still dedicated to the Imperial cause, dies.

*

Brenn Ozzel finds herself frankly confused as she consoles a tearful Nieve Piett while Rebel craft swarm the skies of Taere. All comm-feeds have been intercepted to formally grant every member of an Imperial family amnesty once the forced migration of non-native Taerens begins.

Nieve’s children are still playing outside, spreading their arms out to ape the landing X-Wing squadron.

*

Piett hoists Krevot’s salvaged half over his shoulders as they make their way towards one of the dozen unjettisoned escape pods available for an almost fully expired bridge crew. Krevot squeaks out a few words in his weak state.

“You saved me?”

Piett plants the torso firmly in the seat opposite his, adjusting Krevot’s safety straps before buckling his own. Firmus Piett clears his throat as though to begin processing his own small rebellion.

“I admire you.”

Krevot nods and looks around the pod with a heavy daze in his eyes before his remarkably casual response.

“I wouldn’t save you.”

Piett pauses before initiating the launch sequence that aims their pod towards the far side of Endor.

“Yes, I suspected that.” Piett pauses a beat before giving a speech that pains him to start but that he must give, now, if his words and his loyalty and his love are to mean anything ever again. “Before we launch, I’d like to make it clear that I intend to surrender myself to the Rebellion. Moreover, I intend to support their cause to its logical end until the day I die. If for any reason you no longer wish to join me, you may stay aboard The Executor and die. But under no circumstances will I tolerate you subverting my plan in the name of The Empire once we reach Endor. Is that clear?”

Krevot stares around the interior of the hatch with a preternatural calm. He looks down where his legs used to be and lets out a small snort. The rattle from explosions on lower decks grows louder and closer. Piett’s nostrils flare though his temper remains even. He’s still holding the blaster in his lap and his grip tightens around its handle.

“What will it be then?”

*

“I can assure you that you and your children will be safe with us. Can I get your name, please?”

“No. Please.”

Nieve Piett does her level best to retain her composure and it’s working but there’s certain things she’s not presently willing to oblige. Like this handsome young rebel pilot asking her name as she boards their transport shuttle. The pilot nods and doesn’t press.

“We understand if some Imperial families wish to remain anonymous. It does not effect your safety. Welcome aboard.”

He smiles at her, a beaming charismatic smile that she doesn’t attempt to return. All she can see when this man smiles, when any of these smug rebels so much as open their mouths, is a missile blast cutting through the flesh of the man she called her husband. Of course, she knows it wasn’t a missile blast; they say it was a crash of some sort. They say that all the occupants of The Executor were killed in the crash. They say that every Imperial commanding officer involved in The Battle of Endor is now dead. All of them? she thinks to herself, each time she spies this message now glutting every visible comm-feed on Taere. How do they know? And how has no one mentioned the Empire’s accidental third in command by name?

The other families on the shuttle, families Nieve Piett doesn’t recognize and never cared to know, show a range of emotions, from anger to sadness to relief to joy, as one might expect. But unlike Nieve they do indeed show these emotions while she stares blankly at the handsome and happy rebel pilot as he jots or withholds names from the ledger. She stares and seethes, hating this Rebellion and its success. The spite feels as though it might rot a hole in her stomach and she idly wonders if there’s enough hate in her heart to help someone more powerful than she destroy this Rebellion.

At long last, this spite releases not in anger, but in sadness. Her tears fall on the shoulder of her oldest son who gently pats the back of her head, not asking her why she cries.

*

The lone escape pod to eject from The Executor maintains its course, unperturbed, to the far side of the forest moon. It’s days before the rebels discover it and its two occupants–one dead, one alive.

According to all known records of the Empire and the Rebellion, Admiral Firmus Piett did not survive The Battle of Endor.

On Bolaño’s 2666 and Elevator Pitches

If you traffic in ideas for a living, chances are high that you don’t like those ideas until you can translate them into Elevator Pitches. I’m not sure how old the idea of The Elevator Pitch is but I’m under the (perhaps mistaken) impression that it’s grown to prominence in the relatively recent past, co-ascendant with the telecommunications boom. By all indications, entrepreneurship, creative enterprise, and that multi-disciplinary abstract, “The Next Big Thing”, are all at highs right now and all are dependent on The Elevator Pitch for their genesis, specifically at that point at which you’re asking others to contribute their money and/or talents. But while the Elevator Pitch is terribly useful for weeding out people whose ideas aren’t thought through, doesn’t it also weed out some things we like or, shit, need?

Don’t get me wrong: there’s a lot of unfocused, flabby stuff out there, too, and it’s well and good that that stuff dies before polluting our eyeballs and earholes. It does, however, seem that an entire generation threw out the patience baby with the Tarkovsky bathwater and now wants to sell us on pithy little THIS meets THAT narratives, exclusively–zombies meet dinosaurs, Jane Austen meets zombies, everything meets vampires and it’s all on acid as envisioned by Neveldine/Taylor.

On the other hand, I really do appreciate the Borges-ian condensation of a good pitch. Ideas become radiant when you remove exposition or execution and that’s the sublimated form in which they inspire us. That is why, for all the bitching I do about Elevator Pitches, I envy a good one for the power it exercises over our imaginations. It serves, in its ideal form, to crack the crust of the hardiest cynic and make her soul soar–as any good idea should do.

I can’t help but wonder though if there’s a bit of biological myopia at work in our image of idea conception. Borrowing the tree as visual, isn’t it possible that while some ideas start as saplings needing to blossom in multiple fertile grounds to create a healthy grove, while some are fully formed byzantine, branch-dense, trunk-less monstrosities that retain no glory as smaller components and furthermore need no peer group? Furthermore, is this preamble about elevator pitches my roundabout way of discussing the infuriating, intense dark mysticism of Roberto Bolaño’s 2666, a novel that after the halfway point tips the scales of the discursive into the waters of the profound?

Yeah, for sure it is.

There’s a lot going on in this book and I won’t try to summarize it but the centerpiece of this story is a 300 page depiction of the massive streak of rapes, murders of the women of the fictional border town of Santa Teresa (a horrifyingly realistic, slow-motion dramatization of this). This is all so patiently and meticulously described, victim by victim, it makes you feel like you’re living it, like you’re the adopted family of the literally hundreds of women whose deaths he chronicles. Their crude traumas, sloppy burials, and generally inconsistent circumstances communicate so little, they have to be cataloged one by one, in the hopes that the lack of pattern in these deaths on a small scale is a thin veil for a horror of a more massive scope.

The seemingly pointless first few hundred pages (well, not pointless, but excessively discursive) come into focus after we begin to count the dead one by one. Bolaño was just easing us into this itemization of reality, running us through the days and habits of some important people and then some not so important people, to help our eyes adjust to a dimension where things can’t be boiled down, where the simplest atomic truth is still big enough to choke Galactus. Bolaño died poor and under-appreciated but one can’t help but believe he knew this to be his fate all along, choosing as he did to hoist the aforementioned unwieldy tree of a hundred branches and no trunks, perpetually carrying it through doorways too narrow with patience and grace. One also can’t help but wonder how many people in his life turned off their receptors whilst he was in mid-sentence (jeez, myself included), believing he was a fountain of meanderings when in fact he was always in the middle of a Sistine Chapel.

God, imagine, pitching a book like 2666. It can’t and shouldn’t be done at least not in that positivist, effervescent light-bulb-over-the-head way. 2666 doesn’t shine a light, it perturbs in the way that someone telling you that you’d been adopted might; it doesn’t inspire the broad smile of a good idea but instead suggests the portal to a different viewpoint, a galactic-sized viewpoint that has the potential to nauseate as much as fascinate. In fact, that’s my pitch for 2666:

“It’s a thousand page portal to a God’s eye view of the world.”

“That sounds rad.”

“It is. Kind of. You’ll want to give up several times before you get there, though.”

“Uh… but it’s worth getting there, right?”

“Yeah, sort of. It’s not a majestic and peaceful god’s-eye-view. It’s a bum you out and make you feel complicit with the evil in the world god’s-eye-view.”

“Hmmm… so this is a little like Todd Solondz meets William Blake?”

“Thank you!”

“Wow. That sounds like an awful pitch for, like, 90% of the world.”

“I know but it is what it is. Arr-eye-pee, Roberto Bolaño. Thank you for the fascination and perspective, and sorry if we fucked up.”

“Arr-eye-pee, Bolaño. Sorry.”

On The Beatles’ "You Never Give Me Your Money"

Inspired by Bret Easton Ellis recent obsession with the song, I wanted to peel back the layers of that perplexing and transporting Beatles deep cut (well, as close as they have to a deep cut), “You Never Give Me Your Money”, the halfway point of their last album Abbey Road. Also: I can get really intense about The Beatles so…

It’s the official starting point for the Side 2 song suite. Actually, I think “Because” might be but “…Money” is the first movement in the segue. “Because” seems related because it does all the things that the suite does that Side 1 does not. That is to say, every song on Side 1 has impugnable integrity. This does not imply quality but rather that these songs are unto themselves, complete, and wanting for nothing. Every song in the suite seeks the next one. I realize this is an artifact of never having perceived these songs any either way but I’d also argue that their inherent qualities are such that any alternative presentation would be impossible.

If “Because” is the primal soul burst that presages the searching song suite, “You Never Give Me Your Money” is the elaborated taffy pull overture. Paul McCartney never met an idea that he didn’t like, or was unable to cram on top of, in front of, or during an otherwise complete piece of music. That the five separate movements of this song not only work but sound organic against each other is a testament not simply to McCartney’s songwriting acumen but to tapping into the weird conflicting winds of his band’s dissolution.

“You Never Give Me Your Money” is about endings and beginnings, just like the suite is about endings and beginnings. And like the suite, the song connects ideas that don’t seem to have any relation to one another. Which brings me to…hard stop here…what the hell is this song about? There’s that plaintive intro (which is weirdly the only iteration of the chorus) about “negotiations” and “situations”. It sounds like a bad business deal, or perhaps a divorce. Then we’re transported via parlor piano to the situation of virtually every middle class twenty-something (and shit, some thirty-somethings) in the Western world: out of school, broke, and in debt. What did this person have to offer in the negotiations of the preceding section? This might be a story told out of time, with the narrator seeking refuge in the nostalgia of simpler times, hence the jauntiness.

“But oh, that magic feeling/nowhere to go”

This is the precipice of an emotion that we are about to dive into headfirst, wading through a forest of “oohs” and “aahs” and heavenly arpeggiated guitars. This is the first climax of the album and its a foreshadowing for the “real” one in “Golden Slumbers” but this is the one that hits home for me. Once Paul takes us off that cliff with his last “nowhere to go”, we are in that uncanny spot that he was in, realizing that his band was done without it actually being done yet. And he was finding peace and joy in that moment while still realizing that the end was nigh. We mirror our incidents onto that if only because at that point, people who heard this record when it came out had to have realized that they were halfway through the last Beatles album.

This shot in the arm of joyous sentiment sends us into the “one sweet dream” motif which is introduced by Lennon’s strange prog-y guitar solo, climbing and reaching as far as it can go before dropping us down into the dream, which feels like an escape, which doesn’t feel exactly like what the narrator originally wanted to do but “step on the gas and wipe that tear away,” he does. What is the “one sweet dream”? Is it the strange menagerie of characters, ad-libbed weirdness, and psychedelic images that comprise the rest of the suite up until “Golden Slumbers” (which gets us back to the grounding bummer theme of dissolution)? That’s a convenient summation but who knows.

“1, 2, 3, 4, 5, 6, 7/All good children go to heaven”

I have no clue what this means but it’s sung with such sincerity and conviction that it relieves the emotional consternation of the preceding. I have no doubt that Paul McCartney sincerely believes that hearing some variation on “it’s gonna be okay” is a very real way to alleviate stressful circumstances. Perhaps it’s a testament to The Beatles’ talent (and a by-product of the legendarily grueling recording regimen they were subjected to) that they could churn a handful of seemingly disparate ideas slap them together and defy them not to make narrative and musical sense, while speaking to the depths of their mental states at the time. And perhaps stitched-together ideas, as William Burroughs once opined, will make a greater sense than we allow ourselves to make in real time. This is all to say that this song is a joy and a lesson and far ahead of its time.

Enjoy:

An(other) update

I’m writing a novel.

There’s a bunch of other things going on as well, but the one that I am most excited about, particularly because it seems the most daunting, is a full-length prose novel.

WHAT IS KNOWN SO FAR:

It’s an SF/fantasy story set in 1983. Its locale is the West San Fernando Valley near LA, which is where I grew up. This book is important to me for a lot of reasons but that stuff is better to share when you have the actual book in your hands. For now, I’ll explain a little bit about what I want to pull off with this book.

The idea in a nutshell, is that this book be both smart and entertaining. I want it to be both a quick, plot-heavy read and a dense slow-burner with hidden layers for those who wish to take their time. Also: topping out at 200-250 pp. max. Books are SO goddamn long, aren’t they? Who are these motherfuckers in 2011 who think they have 500+ pp. of interesting shit to say? I want to trim the fat and make every paragraph just thick with ideas, images, and moods. This book will be edited within an inch of its life–no wasted scenes, no gratuitous references to my favorite indie rock song, no chapter-long expositions.

Oh, also remember how I said it was an SF/fantasy book, but it’s set in the Valley in ’83? Yeah, that doesn’t mean there will be a door in our world that leads to another dimension where people are named Terl and fly on multi-headed winged beasts. Nothing against that stuff (really) but I’m trying to achieve a tone of believability that I don’t often see in the genre and have it play as realistic. This will be a book for people who pick up genre fiction and go, “ugh, not this again,” and for people who pick up experimental or ‘high’ literature and wish there was a plot. It’s about a father and his son and that’s all I should say for now.

It’s called The Anglekeeper, I’m about 1/3 of the way done with it, and I can’t wait to share it with the world.

-A

Vista 2: The Young Murderers

Vista 2: The Young Murderers
[Stardate: 20110315]

“Keep all your heads DOWN! I’ll tell you when it’s your turn.” I’m lying face-down in Timothy’s Market at lunch time, feeling a pool of someone else’s blood soak my last clean white shirt. My right eye scanned the room wondering who was alive but everyone else is on the ground too. I hear moans, encouraging moans. My name is Kevin Dwight Page and I do not want to die in the town I grew up in.

My bruised lip touched the cool linoleum. Oh god, it felt so good. A wave of guilt accumulated and hit me like a motherfucker from every time I felt comfortable while others suffered—when Kally got sick after her abortion and I went to Reno with Rick and Jeremy Renfro, when my mom didn’t eat for a whole week while we were on food stamps and I had stashed a Hostess Cup Cake that I wouldn’t share, when my brother died in Iraq at the exact time (I figured it out) I was getting a blowjob from Christy Sanders. If I get out of this, I will reverse my desire to be on the receiving end of the gifts I find in this world. I have to give someone else that gift.

Jesse Klier and Mike Beatty came down from the hills overlooking Parable, CA (pop. 1400) to Timothy’s Market during lunchtime (when barbeque is served) expecting fifteen but they only got five men and women, lambs to carve with their angel of death-looking scythes. The first hit was Dr. Carter, who got a hack to the thigh so deep, the rusty teeth lodged into this femur. Mike had to step down on his leg so he could pull the blade out; he stepped so hard, Dr. Carter’s leg just snapped like plywood. His screams cut through the air for the duration of the slaughter. The weird part was that these screams, instead of weighing on the hearts of the killers, made their work easier. There’s something about a perpetual sound, no matter how horrid, that starts to become soothing. It loses its edge because it literally has no end: a scream with no shock and no cut. So they cut more and felt less remorse, severing flesh, gouging eyes, tearing limb from torso. While Mr. Carter wailed like an infinite stuck pig, they were getting into the physicality of it all, realizing they were naturals at the sport of hacking the human body. If Dr. Carter knew that he was making it easier for them to kill, he’d have winced in silence, holding back the pain past tears and vomit.

Before this, neither Jesse nor Mike had even so much as punched another man. Today was about transformation—they could feel every new kill in their bones, in their blood, infusing their being with responsibility, irrevocable gestures that they had no choice but to own. Their weapons breaking skin slowly and tentatively at first—Jesse held them down (he was the sturdier of the two at 260 pounds, 6’2”) and Mike ran the blade—then graduating to precise butcher-like flesh rending. It felt good, they thought, to exercise their ability to change the reality. Outside, the freezing cold crystallized the green of a new spring.

In the aftermath, this will be characterized as a senseless tragedy. It was a tragedy. It wasn’t senseless. The sense that Mike and Jesse had was that on the deepest structural level, nothing would ever change. Kings are born kings but these two young men received the poor fate to serve. Only tearing at the fabric of their fate would force God to sew them a new one.

Jesse Klier’s mom is the Queen of Dumb. I say this not to be unduly obnoxious but to highlight that she’s never said a single insightful or clever thing in her life. I give Jesse a break because I cannot imagine a more exceptionally unfortunate fate than to be born to a woman like Bernadette Klier.

Because there is literally nothing else she can do in this life in exchange for payment (including housekeeping) she assigns numbers at the DMV in Redwood, CA, about two and a half hours drive from here. Half her daily paycheck goes to the gas she uses to get there and back, which bothers Jesse way more than it does her. She comes home, heats up a red-beef burrito and opens an orange soda, and watches this television program about a kid who solves crimes by talking to his dog. A constantly thickening layer of Ho-Hos and bad TV dulls her senses to where she can barely turn a deadbolt. If I could see anything in Jesse’s eyes it was fear—fear that callousness like that was even possible. I think that’s the only thing that’s different about us. I see that and I want to leave this place, put myself as far away from it as possible. He sees it and he starts to sink…

A damp iron chill hung in the air. My lungs filled with cold blood vapor. Jesse stood over us with his head arched. His upper lip twitched up at the corner of his mouth as he looked over the carnage, physically unable to have an opinion about it but under the impression that he processing it. The twitch was the humble morality of a guy who’s never done shit in his life revisiting a body that was now occupied by the Black Angel of Death’s right-hand man. The profound division inside a body fueled by cheetos and orange soda made him so sick he felt he’d throw up his internal organs. For the first time in his life, he felt what a “splitting” headache was.

Mike—whose arm was drenched elbow-deep in blood from plumbing Vicki Sanchez’s belly with a bladed knuckle (his own invention)—was, of course, our Black Angel of Death incarnate. He was mainlining Christ’s blood, feeling the power of a god while on this earth. This inverse divinity was so far off the map of his fated path, you could practically see the universe ripping around him, shafts of light emerging to close the gaps in the realm of the perceived. The screams of Mr. Carter have faded to reveal the eerie low groan of the newly dead. There’s one body left before the Black Angel’s feast completes; then he’s a free agent again. Occupation is the name of the game in the hungry spirit world and (apparently) no one’s hungrier than Death.

“What are ya thinkin’ about?” Jesse barely mumbled these words, thucking me in the stomach with his steel toes. He did this lightly for a 260-pound guy, which is to say I tasted this morning’s mac and cheese coming back up.

I don’t know why I said this: “I was wondering…why are you lettin’ me live?”

Mike rushed to interrupt this little moment here: “Hey yo, Jesse, don’t listen to this fuck. Who says we’re letting you live? You see how I’m killing motherfuckers? Wait your turn!”

“You’re talkin’ to me. You didn’t talk to anybody else. Didn’t even wanna look at them.”

“What, fucker?!?!” Even with the teeth of that blade on my neck, I was convinced: he would have done it by now.

“It’s too late. You can’t do me.”

“SHUT THE FUCK UP!!!” The words rang in my ears so bad, I didn’t even notice he had kicked me in the head, and harder than before. Blood ran down my mouth leaving a metal taste against my lips and creating that light-headedness that comes from the sensation of lifeforce oozing out of my body. Oh god, I thought, this is really happening. They’re all dead and I’m very likely dying. I think I’m taking this more seriously than my attackers. And that might be a good thing.

Mike kneeled down to press his arm against the back of my throat. “You wanna know what? It was Jesse’s idea.”

“SHUT UP, MIKE!”

“He thinks you’re smart. He looks up to you. I mean, come on, you’re smart.” He was whispering this to me in a conspiratorial tone. Was he trying to get out of this, and get out of it with me?

I REALLY don’t know why I said this: “I’m not special, Mike. Tell you what—you both leave and I’ll say I did this.”

“…”

“Don’t fuck with me, Kevin.”

“I’m not fucking with you one bit. You leave. I’ll take the fall. Who would know? They’re all dead. It’s just your word against mine.”

“Why would you do something like that for US?” Mike’s lip was trembling while he touched his blade to my head. “You got a scholarship and shit; y’all gonna be famous. You throwing that away?”

“I want to give you things that no one’s ever given you. It’s just generosity. That’s all we’ve got separating us, man. Generosity.

“The FUCK you talking about?!”

“I’ve already been given chances and I don’t want to stay small.”

I couldn’t see Mike’s face; he was staring at the ground and breathing deep breaths. He suddenly became the linchpin, and seemingly wasn’t pleased with the fact.

“This sounds like…I don’t know…this sounds like…some kinda bullshit. I have an idea, Kevin. You—.”

It happened way too fast. I heard Mike’s wrist snap. That’s all. Jesse had turned Mike’s blade on his gut, forcing the tip of the scythe through his stomach. Forced pounds of pressure set the blade deep before stopping at his vertebrae. It’s fascinating how unaware of his strength Jesse is. His whole body was vibrating as his friend fell silently with this, the last death of the day.

I looked over and Jesse was staring at me, not concentrating but staring fixedly like his daze would produce an answer. When at the point at which I looked so deep into Jesse’s eyes that I could see he was there in a life support capacity only, which is to say no one was home, I projected my self, entered his shell and began to see through his eyes. I observed myself through another person’s body for the first time, which oddly made me feel like my existence was suddenly negated. Phased.

When I say I occupied his body, I’m not speaking metaphorically. I was now in control of the body of Jesse Klier. There is a point at which the animus vacates the shell just so and I have a window of opportunity to take over. It’s sort of like breaking into a house when the person’s on the shitter but you have to be careful—once they’re alerted to your presence, you’re out. Right now though, Jesse, stone terrified by how fucked things had gotten, was more than happy to let me take the reins for the foreseeable future.

Oh, and I didn’t know ANY of this shit yet. I was just looking at my own face thinking I’d died or gone insane and wondering if I’d know the difference.

“Who are you?”

Someone said it. I think it was me. I didn’t mean it to be deep. I meant it in the most boringly literal sense possible. Then I heard it.

“Boy, wassa MATTER w’ you?!”

It was Dr. Carter.

“Wassa MATTER with YOOOOU?!?!”

“Uh…sir.”

“Murderer…’s too young…t’ be a MURDERER!!! Brough chu boys…inna th’ worl…”

“I’m not a murderer.”

“I never…never forget…I don—MMMF.”

Sigh. Deep breath. He was dying. He’d lost a lot of blood for a man his age to even be talking let alone lecturing me. I turned around to face him, as Jesse. It was the least I could do.

“Never forget…a face. Y’do sumpin’ GOOD, son. Sumpin’ fer CHRIST. Don’t die…without…”

Goodbye, Dr. Carter.

Here’s what’s gonna happen: Jesse, you and I are trading bodies. All you need to do is stay here, occupy my body, and NOT fuck up. I’m gonna leave right now in your body and figure out how to get you another chance. We’ll meet back in town when I’m done and trade back. I promise all of that. Jesse nodded with my face. I asked him for my keys and left.

Being poorly versed in the transmigration of souls, I was surprised at how well I was improvising. Mike had chained and padlocked the front door. I, having neither time nor inclination to search his corpse for the keys, remembered I was strong as fuck, covered my knuckles in a shirt, punched through the glass door and walked away from that grisly scene without so much as looking sideways. I got into my car and drove towards Eureka, for once welcoming the hours of unpopulated mountain road that lay ahead.

Nothing precludes the possibility of redemption. With that in mind, I drive north.

Vista 1: The Ex and The Alien

[Stardate 20101205]

She didn’t need me, he realized, walking through a dark, drenched countryside on this most ordinary of November nights. I walk here after dinner to help me digest. I do this with such regularity I don’t think it’s particularly effective anymore. What a time to think such a thing. It’s never when you think it’ll happen…

It’s not that she didn’t love me. I know she did or at least she said she did. She wasn’t lying about that. But need is something more. I need her. I want her to need me. Relationships are egalitarian by default, rarely betraying their imbalance. It’s like being a character in a D&D game; depending on your skill levels and experience, the same quanta of affection can be overwhelming or trifling. That same force makes the relationship an emotionally tenable idea while it exists and a painfully ironic one when it’s over.

I hear ducks from far off (or what sound to me like ducks) and it helps to distract me from this train of thought. Sometimes, the loud quack of a duck can make you laugh and take your mind off the worst shit if you let it. That’s the kind of mood I’m in, listening to animals and wishing for a psychic takeover by modest emotions.

When I see ice on the lake, it reminds me of her but not her when she let me go. Her when she was a new world — a gentle land ruled by 3 purple-lipped princesses with white bare feet, too delicate to stand on our profane Earth. I bring forth this vision and I suddenly feel calmer than a man witnessing the birth of his last child.

There was a time, at the beginning, when we spent every night together. At some point after we fell asleep, I’d feel her fingertips search my thigh until she clasped her hand around my balls. This relaxed me immeasurably, like a bath in warm water. In half-consciousness, I would imagine, that she derived some kind of power from this act. She held my nuts like they were a badge granting her access to some outer dimension otherwise restricted. If she wanted, she could present my nuts to St. Peter and it’d be sufficient currency to enter the heavens. That’s what I believed.

Through these seemingly insignificant gestures, she made me unbelievably confident. I could walk through walls. My mind cut through glass. There was an orb, a sephira, inside of my chest that came alight at the thought of these transfers of power. The smaller my mind became, the more this orb would grow, expanding out of my solar plexus, salving and aligning every organ and tissue that it passed on its way out of my skin to surround me, now parting my feet from the ground as it ballooned into a circumscribing vessel. This was my protection.

And just in time, for what should stand before me but H.R. Giger’s Alien, all sinewy armored musculature, acid blood stream, and deadly oral protrusion. Standing a full ten feet looming above me, I realized that it was in fact crouched for once its arms spread out and its legs straightened, it stood close to fifteen feet. Shit.

Alien reared back, spouting a fountain of acid skyward (perhaps just to frighten or mock me? Well, mission accomplished for I felt frightened and mocked and perhaps I peed a little.) In one fluid motion, it’s torpedo-shaped head shot back down, like a smooth igneous meteor, aimed for my face. I braced myself with clenched teeth for an impact that never came. The beast was shut down, knocked back on its ass by the resilience of my protective orb, my expanded sephira. Dear god: what would I do with this power? Would I be the envy of Ripley and several outer-space Marines (RIP)?

As it turns out, my powers were merely defensive in nature. All I could do, effectively, was deflect the creature’s powerful strikes, divert its caustic life’s blood, and simply stand my ground. Each attack more powerful than the last, I figured victory would be mine through Alien’s eventual exhaustion. Not that I knew anything about the physiology or endurance of the xenomorph. Perhaps it had reserves of energy beyond calculable time and this was, in fact, merely a warmup. I wondered if exertion somehow invigorated this species, causing it to gain as much energy as it expended in a feedback loop of horror that ends with my defenses compromised and my skin and vital organs similarly, gruesomely compromised.

It was Alien’s last attack that presented an option. Its death dildo probosces shot with such speed, the inverted energy knocked the beast back many dozens of yards into the cab of an ancient rust-corroded Ford F-150 with the concentrated rubbery force of an injurious racquetball. The beast was so contorted and malpositioned from its forced entry into the otherwise spacious seating area of an American truck, I suddenly realized I would have time to strike back provided I had the testicular fortitude to strike NOW.

Despite all good judgment, I charged the ten yards towards the beast. My orb, as I expected, made impact with the truck and moved it with relatively reasonable ease for a 5000 object. It was, however, on wheels so I dug in my heels and pushed, and pushed until movement begat momentum and at last the truck, with xenomorph in tow, hurtled towards a massive hole in the ground. Said hole is the portal to a subterranean scrapping factory whose many metal levels caved from the weight of the plummeting truck. The fall couldn’t be significantly dolorous to Alien but what lay at the base most certainly would be–a metal shredding maw automated to function upon contact. Indeed, upon contact the shredder began to operate without a shred of remorse, gnashing into alien flesh. I could hear the ungodly screech, like a pterodactyl impaled and descending down a long wood stake, somehow living to experience the pain with exponentially increasing acuity.

Mercifully, for me and it, the maw finished its work, its gears and teeth eaten by acidic spew. Smoke rose from the wreckage which looked beyond recognition and betrayed no visible sign of life, structure, or any other cognizable form of dignity. A wretched tangle of flesh and metal remained and Alien was gone. It was all thanks to her. Emboldening gestures of love and affection need not be reciprocated or matched to be real. Real enough to defeat a homicidal alien whose entire existence is predicated upon the hunting of frailer beings. Through this most improbable encounter, I realized that a subtle power builds by letting things just happen. Letting my partner touch my balls while I slept, letting her stay with me even though I knew it would end. Now, with a mangled alien corpse between us, I could let her go. Thanks for the memories, the strength, and an education on the perception (not the reality) of imbalance.

Despite this all, I’m gonna start running now, because I certainly saw Alien’s arm protrude forthright from the wreckage. Superhuman shielding forged by sincere affection is quite an ally but so’s a head start.